Adventure stories; Fantasy fiction, English; Quatermain, Allan (Fictitious character) -- Fiction
I intimated that we should “like see Child,” and led by Harût we
entered the little sanctuary which was barely large enough to hold all
of us. In a niche of the end wall stood the sacred effigy which Ragnall
and I examined with a kind of reverent interest. It proved to be the
statue of an infant about two feet high, cut, I imagine, from the base
of a single but very large elephant’s tusk, so ancient that the
yellowish ivory had become rotten and was covered with a multitude of
tiny fissures. Indeed, for its appearance I made up my mind that
several thousands of years must have passed since the beast died from
which this ivory was taken, especially as it had, I presume, always
been carefully preserved under cover.
The workmanship of the object was excellent, that of a fine artist who,
I should think, had taken some living infant for his model, perhaps a
child of the Pharaoh of the day. Here I may say at once that there
could be no doubt of its Egyptian origin, since on one side of the head
was a single lock of hair, while the fourth finger of the right hand
was held before the lips as though to enjoin silence. Both of these
peculiarities, it will be remembered, are characteristic of the infant
Horus, the child of Osiris and Isis, as portrayed in bronzes and temple
carvings. So at least Ragnall, who recently had studied many such
effigies in Egypt, informed me later. There was nothing else in the
place except an ancient, string-seated chair of ebony, adorned with
inlaid ivory patterns; an effigy of a snake in porcelain, showing that
serpent worship was in some way mixed up with their religion; and two
rolls of papyrus, at least that is what they looked like, which were
laid in the niche with the statue. These rolls, to my disappointment,
Harût refused to allow us to examine or even to touch.
After we had left the sanctuary I asked Harût when this figure was
brought to their land. He replied that it came when they came, at what
date he could not tell us as it was so long ago, and that with it came
the worship and the ceremonies of their religion.
In answer to further questions he added that this figure, which seemed
to be of ivory, contained the spirits which ruled the sun and the moon,
and through them the world. This, said Ragnall, was just a piece of
Egyptian theology, preserved down to our own times in a remote corner
of Africa, doubtless by descendants of dwellers on the Nile who had
been driven thence in some national catastrophe, and brought away with
them their faith and one of the effigies of their gods. Perhaps they
fled at the time of the Persian invasion by Cambyses.
Public-domain text, read in full here on John Shaqi.
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