The Japan expedition. Japan and around the world: An account of three visits to the Japanese empire, with sketches of Madeira, St. Helena, cape of Good Hope, Mauritius, Ceylon, Singapore, China, and Loo-ChooSpalding, J. W. (J. Willett)
History
The Japan expedition. Japan and around the world: An account of three visits to the Japanese empire, with sketches of Madeira, St. Helena, cape of Good Hope, Mauritius, Ceylon, Singapore, China, and Loo-Choo
Spalding, J. W. (J. Willett)
Japan -- Description and travel; Voyages and travels
When the repast was concluded some Japanese amateur-artists from Yedo,
who had come down from the city in the suite of the commissioners, made
crayon sketches of many of the officers, and seemed to labor under
the impression, that the only thing necessary to make a good American
portrait was to draw a large nose, and sketch the balance of the
features around it. Their essays at representing flowers—the Japonica
for instance, were much better.
While on shore, I took the opportunity of making a closer inspection
of the Japanese troops, who were standing in line in a neighboring
field. They did not present as good an appearance as when drawn up at
Gorihama, the year before. They did not seem as athletic as the Tartar
troops I saw at the fort back of Canton, or at Shanghae; and it appears
to me, that even if they were armed with the percussion-musket, or the
modern Minie rifle, instead of the antiquated matchlock, old Dutch
muskets, &c., as they are, still their unsoldierly costume, would
prevent, that freedom and quickness of movement, and celerity in the
use of offensive weapons, that now-a-days constitute effective troops.
In my limited reconnoissance, I took occasion to pull some of the
family Camellia Japonicas, that were growing wild. One of the
two-sworded gentry seeing me standing near the beach, with a bunch in
my hand, desired to know the name of the flower in “American.” Upon
being told he repeated the word until he got our pronunciation quite
accurately, and then wrote it down in a small soft-paper book with a
camel’s hair pencil, they always going provided with these, together
with a small bronze ink-holder, and a handle to contain the pencil,
at a short distance not unlike a small pipe, with the bowl downward.
I retorted his question and requested the name of the flower in
“Nip-pon,” as they called their country. He said, “T’su-bi-ki.” The
“illustrious stranger”—wearied me more than himself with the number
of his queries. I had to catalogue nearly every article in my wardrobe
in English for him, which he invariably noted down. Upon showing him
my watch, he pronounced the word “chronometer” quite plainly; and on
espying when the case was opened, my name engraved on the back, he
wanted to know what it was. Touching myself I pronounced my name, which
he wrote down, but hardly succeeded in repeating. They can not say “l,”
but call it “r.” The word “glove,” which they call “grove,” is too much
for them.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account