France -- Social life and customs -- 19th century -- Fiction
that will scarcely turn on its hinges for unknown names or the lions
of a lower rank.
Victurnien found his relatives both amiable and ready to welcome him
so long as he did not appear as a suppliant; he saw at once that the
surest way of obtaining nothing was to ask for something. At Paris, if
the first impulse moves people to protect, second thoughts (which last
a good deal longer) impel them to despise the protege. Independence,
vanity, and pride, all the young Count's better and worse feelings
combined, led him, on the contrary, to assume an aggressive attitude.
And therefore the Ducs de Verneuil, de Lenoncourt, de Chaulieu, de
Navarreins, d'Herouville, de Grandlieu, and de Maufrigneuse, the
Princes de Cadignan and de Blamont-Chauvry, were delighted to present
the charming survivor of the wreck of an ancient family at court.
Victurnien went to the Tuileries in a splendid carriage with his
armorial bearings on the panels; but his presentation to His Majesty
made it abundantly clear to him that the people occupied the royal
mind so much that his nobility was like to be forgotten. The restored
dynasty, moreover, was surrounded by triple ranks of eligible old men
and gray-headed courtiers; the young noblesse was reduced to a cipher,
and this Victurnien guessed at once. He saw that there was no suitable
place for him at court, nor in the government, nor the army, nor,
indeed, anywhere else. So he launched out into the world of pleasure.
Introduced at the Elyess-Bourbon, at the Duchesse d'Angouleme's, at
the Pavillon Marsan, he met on all sides with the surface civilities
due to the heir of an old family, not so old but it could be called to
mind by the sight of a living member. And, after all, it was not a
small thing to be remembered. In the distinction with which Victurnien
was honored lay the way to the peerage and a splendid marriage; he had
taken the field with a false appearance of wealth, and his vanity
would not allow him to declare his real position. Besides, he had been
so much complimented on the figure that he made, he was so pleased
with his first success, that, like many other young men, he felt
ashamed to draw back. He took a suite of rooms in the Rue du Bac, with
stables and a complete equipment for the fashionable life to which he
had committed himself. These preliminaries cost him fifty thousand
francs, which money, moreover, the young gentleman managed to draw in
spite of all Chesnel's wise precautions, thanks to a series of
unforeseen events.
Public-domain text, read in full here on John Shaqi.
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