attend an evening reception, he brings his wife there, and he takes her
home; during the interval she has little, if any, of his company. She
may be shy, she may be a stranger, she may not be much accustomed to
society life, she may feel herself out of place in the gay assemblage,
she may be unentertained or bored or annoyed, it matters not to him as
long as he is having a good time with the boys, or is encircled by the
ladies fair, who unanimously think him the most gallant of men,
unrivaled in his wit and wisdom and conversational powers, and who
secretly sigh if but their husbands were like him.
To such an extent is this wife-neglect carried on that a lady not long
ago made a wager that, in nine cases out of ten, she would distinguish
between married and unmarried couples. She won the wager. When asked
to explain her method of discrimination, she said: "When you see a
gentleman and a lady walking in silence side by side, it is a married
couple; when their conversation is continuous and animated, and
smile-and-laugh-provoking, they are single. When a gentleman sits next
to a lady in the theatre, and never keeps his opera glass away from the
boxes and galleries and stage, he is her husband; when his eyes rest
more on her than on the stage, it is her lover. When a lady, who sits
at the side of a gentleman, drops her glove, and she stoops to hunt it,
it is a married couple; if he stoops quickly to pick it up it is an
unmarried couple. When a lady plays, and a gentleman stands near her,
and does not turn for her the pages of the music book, it is her
husband; when you see his fingers in eager readiness to turn the leaf,
it is not her husband."
Public-domain text, read in full here on John Shaqi.
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