No less a personage than Isaac Watts, the English hymnologist, makes Mathias Sarbiewski (Sarbievius), the Pole, another Horace, though his poetry was mostly Pindaric. Grotius puts him above Horace (Brucker, 505). He was a court preacher, a companion of the king in his travels, a musician and an artist. He wrote four books of lyrics, a volume of epodes, another of epigrams, and there is a posthumous work of his called "Silviludia." His muse was both religious and patriotic, and because of the former, he was called by the Pope to help in the revision of the hymns of the Breviary; and for that work he was crowned by King Wladislaw. His prose works run into eight volumes. There are twenty-two translations of his poems in Polish, and there are others in German, Italian, Flemish, Bohemian, English and French. Gosse in his "Seventeenth Century Studies" says that Famian Strada who wrote "The Nightingale" was not professedly a poet but a lecturer on rhetoric. "The Nightingale" was first published in Rome in 1617 in a volume of "Prolusiones" on rhetoric and poetry, and occurs in the sixth lecture of the second course. "This Jesuit Rhetorician," Gosse informs us, "had been trying to familiarize his pupils with the style of the great Classic poets, by reciting to them passages in imitation of Ovid, Lucretius, Lucian and others. 'This,' he told them 'is an imitation of the style of Claudian,' and so he gives us the lines which have become so famous. That a single fragment in a schoolbook should so suddenly take root and blossom in European literature, when all else that its voluminous author wrote and said was promptly forgotten, is very curious but not unprecedented." In England, the first to adopt the poem was John Ford in his play of "The Lover's Melancholy" in 1629; Crashaw came next with his "Music's Duel," Ambrose Philips essayed it a century later; and in our own days, François Coppée introduced it with charming effect in his "Luthier de Crémone." The French Jesuit Sautel was a contemporary of Strada and Balde. He was considered the Ovid of his time, and was as remarkable for the holiness of his life as for his unusual poetical ability.