All the art works of the mediaeval rooms are copies of originals, but in the Bargello Hall, Signor Canessa, who was J. P. Morgan's European agent, shows his collection of veritable Italian and ancient art. Here are many things familiar through books, Michelangelo's bust of the Virgin; a cabinet full of reliquaries and profane vessels in crystal, gold and enamel done by Beuvenuto Cellini; the bronze Bacchante with silver eyes which was dug up in the gardens of the Persian embassy at Stamboul, and which dates from the Third Century B. C.; the famous portrait bust in rock-crystal of an Egyptian king of the Eighteenth Dynasty; madonnas and saints by Fifteenth Century painters; a complete garden set, fountain, statues and all, from a Pompeiian villa; Greek bronze and silver vessels and statuettes; Bernini's bust of the Cardinal de Medici; Fifteenth Century tapestries, and so many other objects of mediaeval and ancient art that a special catalogue has been prepared to describe them. Italy's modern painting and Sculpture are well represented in the Palace of Fine Arts, and her industrial and commercial exhibits are in the other palaces. Japan.--Japan has chosen her temple and palace gardens as the types to represent her at the Exposition. (p. 169.) She dug up the Mikado's private garden at the end of the sacred Red Bridge in Nikko, trees, shrine, rocks, greensward and soil, and set it down again on the Exposition grounds. So doing, she has shown the Western world a lesson in the beauty of simplicity. The central building in this charming garden is a copy, enlarged, of the Golden Pavilion of the Roku-on-ji Temple in the city of Nara. It is of plain wood and lacquer, with interior walls and ceiling entirely covered with gold leaf. The office building joined to the temple was suggested by the shrine of the ancient castle of Fushimi. The exhibit building north of this temple houses a complete and remarkably beautiful fac-simile of the famous temple at Nikko, one of the finest in Japan. The Mikado's private collection of Japanese art, never before opened to the public, even in Japan, is placed in the Japanese section of the Fine Arts Palace. The paintings, scrolls, porcelain, satsuma ware, Sculptures and metal work shown in this very noteworthy exhibit were collected by the late Emperor Mutsuhito. One of the tea houses is an exhibit of the Central Tea Traders' Association, the other one by the Formosan Government. The striking features of the gardens, beside the stream and the lakelet, are the dwarfed conifers, priceless trees. Two of them are the products of ten centuries of systematic pinching back. With them are three sago palms, five hundred years old. Scattered throughout the gardens are stone lanterns. Every plant, every bit of turf, every stone in the bed of the stream even, came from Nippon.