Gold Medals.--Chokurei Hamamura, 4; Yozo Nagara and Riyoshi Hashio, 4; Goun Namikawa and Torakichi Narita, 4; Saiji Kobayashi, 4. The Netherlands Section.-- Oil Painting Grand Prize.--G. H. Breitner, 113. Medal of Honor.--M. A. J. Bauer, 113. Gold Medals.--David Bautz. 114; G. W. Dysselhof, 113; Arnold Marc. Gorter, 113; Johan Hendrik van Mastenbroek, 114; Albert Roelofs, 113; Hobbe Smith, 114; W. B. Tholen, 113. Etchings and Engravings Gold Medal.--T. H. Van Hoytema, 115. Norwegian Section.-- In the Annex. Oil Painting Medal of Honor.--Harald Sohlberg. Gold Medal.--Halfdan Strom. Etchings and Engravings Medal of Honor.--Olaf Lange. Gold Medal.--Edvard Munch. Sculpture Gold Medal.--Ingebrigt Vik. Philippine Section.-- Oil Painting Gold Medal.--Felix R. Hidalgo, 98. Portuguese Section.-- Oil Painting Grand Prize.--Jose Malhoa, 109, 110, 111. Medal of Honor.--Jose Veloso Salgado, 109, 111. Gold Medals.--Artur Alves Cardoso, 109, 110, 111; Ernesto Ferreira Condeixa, 109, 111; Joao Vaz, 109, 110, 111. Swedish Section.-- Oil Painting Grand Prize.--Bruno Liljefors, 100. Medal of Honor.--Gustaf Fjaestad, 107. Gold Medals.--Elsa Backlund-Celsing, 104; Wilhelm Behm, 103; Alfred Bergstrom, 103; Oscar Hullgren, 103; Gottfrid Kallstenius, 100, 104; Helmer Mas-Olle, 102; Hehner Osslund, 102; Emil Osterman, 106; Wilhelm Smith, 100, 103, 106; Axel Torneman, 100, 104. Water Color, Miniature Paintings and Drawings Grand Prize.--Carl Larsson, 101. Medal of Honor.--John Bauer, 104. Gold Medal.--Oscar Bergman, 101. Sculpture Gold Medal.--Gottfried Larsson, 100. Medals Gold Medal.--Eric Lindberg, 99. Uruguay Section.-- Oil Painting Gold Medal.--Manuel Rose, 19. [1] For plan of rooms and national sections in the Palace of Fine Arts, see map on page 8. XIII. The Exposition Illuminated First attempt to light an exposition indirectly, from concealed sources-- Notable success of Ryan's work--Transformation of the Tower of Jewels-- Details of his method--Weirdness of the Court of Ages at night. Beautiful as the Exposition is by day, it is at night that it becomes loveliest as a spectacle. Then it is a great glow of soft color, without shadow, but also without garishness. Never before has the attempt been made to light an exposition as this one is lighted. The highest standard before attained was a blaze of electric light secured by outlining the buildings with incandescent bulbs. That was the work of electricians. Here the illuminators are artists who have created a great picture of light and color.