Canada.--The Canadian Pavilion is the largest of the foreign buildings, and the best example at the Exposition of businesslike advertising by a government. (p. 148.) Planned by a permanent commission which has had fifteen years of exposition experience, the Canadian exhibit, down to the last detail, is designed to advertise the country. Even the site, at the junction of the highways leading to the Live-Stock Section, was chosen to get the largest number of the kind of visitors Canada is most anxious to greet. The architects were Humphreys, Limited, of London. Architecturally, the building is mixed classic, finished in the Exposition travertine. The maple leaf of Canada appears in medallions on the walls, the royal arms of Britain over the entrances, and the British lion on either side of the approaches. Canada's entire exhibit is here. Her commission cares nothing for awards, but is concerned solely with attracting settlers and capital. With this in view, the chief feature of the display consists of Canadian landscapes, illustrating the agricultural, lumbering, mining, and shipping interests of British North America. The scenes are set to produce a remarkable perspective. The beholder seems to stand on rising ground, looking away over miles of country. In each view the foreground is enlivened with real water and either living or moving things. There is a panorama of the great wheat fields bordering on Lake Superior. Trains move from grain elevators in the interior to the docks on the lake, where model steamers ply on real water. Electricity supplies the power. The largest scene of all is of Canada as it was and as it is. The foreground represents the North, when the Indian and the game had it to themselves. In the background the visitor looks for miles down a broad Canadian valley filled with wheat fields and pleasant farms. Canada's wild life is represented in the foreground by splendid stuffed specimens, from the bear and the moose and the musk-ox to the marten and the muskrat, and from the great gray honker to the hummingbird. On the right, in a forest scene, is a beaver pond with dam and house, where the real beavers splash in the water. On the left of the scene, where a cascade tumbles into it, is a pool of Canadian trout, maintained in the wonted chill of their native waters by an ice-making plant under the scenery. Canada hopes to draw wealthy sportsmen and vacationists, who will then see for themselves the opportunities for investment. Some of her largest enterprises have begun thus. The Canadian Pavilion makes no provision for social functions, but it is an attractive place, where everyone is welcomed. By common consent Canada has made the most effective exhibit of its kind at the Exposition.