The individual psalms have various names. The most general of them is
מזמור a poem, set in music. Of some it is distinctly stated that they
were intended to be sung; this is expressed in the heading by the word
שיר “song,” which either precedes or follows the title מזמור or
stands alone without מזמור. The term, שיר “song,” is further
qualified by חנוכת הבית “of the dedication of the house,” ידידות
“of love,” and המעלות or למעלות “of degrees leading upward,” i.e.,
towards God. Another name occurring in twelve psalms is משכיל
“instructive song;” the maschil proclaims the lesson that God is King
of the universe, and that those are happy who trust in His justice and
mercy. A similar meaning attaches to ללמד the word superadded to
משכִל in Ps. lx.; lit. “to teach,” i.e., that the song be learnt by
all, in order that people may strengthen their confidence in God in
times of trouble (comp. 2 Sam. i. 18). The meaning of להזכיר which
occurs in two psalms (xxxviii. and lxx.), is “for prayer.” There is one
psalm לתודה (c.), “for thanksgiving;” another “for the Sabbath-day,”
ליום השבת (xcii.). Four psalms are called תפלה “prayer” (xvii.,
lxxxvi., xc, cii.); one (cxlv.), תהלה “praise;” one (vii.), שגיון
“an error,” [8] referring to the miscalculation of the wicked in
preparing weapons against the innocent, which weapons are turned
against themselves; and six are superscribed מכתם “a jewel.” Such a
jewel is the Psalmist’s “faith in God,” that inspires him with hope and
pure joy in the midst of misfortune.
The headings include also instructions for the singers and references
to the musical instruments which are to be used. The most general term
is למנצח “to the chief,” scil., of the singers or Levites; it refers
to the chief of a particular division of the Levites if it is followed
by a qualifying phrase, and to the chief of all the Levites if it is
not followed by any qualification. The term למנצח describes the psalm
as a Temple-song, although this may not have been its original object.
Even poems which have been composed by David on certain personal events
became—perhaps slightly modified—national songs, and formed part of the
public service. The adaptation was easy, because these historical
psalms rarely contain any allusion to the particular event mentioned in
the superscription.
Public-domain text, read in full here on John Shaqi.
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