New York (N.Y.) -- Fiction; Women white collar workers -- Fiction
But she tried to keep the frenzy out of her voice. The frenzy was dying,
as so much of her was dying. She hadn't realized a woman can die so many
times and still live. Dead had her heart been at Pemberton's, yet it had
secreted enough life to suffer horribly now, when it was again being
mauled to death.
And she wanted to spare this man.
She realized that poor Ed Schwirtz, puttering about their temporary room
in a side-street family hotel, yawning and scratching his head, and
presumably comfortable in suspenders over a woolen undershirt--she
realized that he treasured a joyous memory of their Savannah diversions.
She didn't want to take joy away from anybody who actually had it, she
reflected, as she went over to the coarse-lace hotel curtains, parted
them, stared down on the truck-filled street, and murmured, "No, I can't
ever forget."
Part III
MAN AND WOMAN
CHAPTER XVI
For two years Una Golden Schwirtz moved amid the blank procession of
phantoms who haunt cheap family hotels, the apparitions of the
corridors, to whom there is no home, nor purpose, nor permanence. Mere
lodgers for the night, though for score on score of tasteless years they
use the same alien hotel room as a place in which to take naps and store
their trunks and comb their hair and sit waiting--for nothing. The men
are mysterious. They are away for hours or months, or they sit in the
smoking-room, glancing up expectant of fortunes that never come. But the
men do have friends; they are permitted familiarities by the bartender
in the café. It is the women and children who are most dehumanized. The
children play in the corridors; they become bold and sophisticated; they
expect attention from strangers. At fourteen the girls have long dresses
and mature admirers, and the boys ape the manners of their shallow
elders and discuss brands of cigarettes. The women sit and rock,
empty-hearted and barren of hands. When they try to make individual
homes out of their fixed molds of rooms--the hard walls, the brass
bedsteads, the inevitable bureaus, the small rockers, and the transoms
that always let in too much light from the hall at night--then they are
only the more pathetic. For the small pictures of pulpy babies
photographed as cupids, the tin souvenirs and the pseudo-Turkish scarves
draped over trunks rob the rooms of the simplicity which is their only
merit.
For two years--two years snatched out of her life and traded for
somnambulatory peace, Una lived this spectral life of one room in a
family hotel on a side street near Sixth Avenue. The only other
dwelling-places she saw were the flats of friends of her husband.
Public-domain text, read in full here on John Shaqi.
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