At Jindey they _dye very fine blues with the indigo leaves_. I readily embraced the opportunity, during our halt, to make myself acquainted with the process, which I saw in all its different stages. _Mode of dying Cotton of a fine blue colour with the leaves of the Indigo Plant._ A large quantity of wood-ashes is collected (the woods preferred for the purpose are the _mimosa nitta_, and _mimosa pulverulenta_,) and put into an unglazed earthen vessel which has a hole in its bottom; over which is put some straw. Upon these ashes water is poured, which, filtrating through the hole in the bottom of the vessel, carries with it the potass contained in the ashes, and forms a very strong lye of the colour of strong beer: this lye they call _sai-gee_, ash-water. Another pot is filled not quite quarter full of the leaves of the indigo plant, either fresh or dried in the sun (those used at this time were dried), and as much of the sai-gee poured on it as will fill the pot about half full. It is allowed to remain in this state for four days, during which it is stirred once or twice each day. The pot is then filled nearly full of sai-gee and stirred frequently for four days more, during which it ferments and throws up a copper-coloured scum. It is then allowed to remain at rest for one day, and on the tenth day from the commencement of the process the cloth is put into it. No mordant whatever is used; the cloth is simply wetted with cold water, and wrung hard before it is put into the pot, where it is allowed to remain about two hours. It is then taken out and exposed to the sun, by laying it (without spreading it) over a stick, till the liquor ceases to drop from it. After this it is washed in cold water, and is often beat with a flat stick to clear away any leaves or dirt which may adhere to it. The cloth being again wrung hard, is returned into the pot; and this dipping is repeated four times every day for the first four days; at the end of which period it has in common acquired a blue colour equal to the finest India baft. The Negro women, who practise dying, have generally twelve or fourteen indigo jars, so that one of them is always ready for dipping. If the process misgives, which it very seldom does with women who practise it extensively, it generally happens during the second four days or the fermenting period. The indigo is then said to be dead, and the whole is thrown out. In Kajaaga and Kasson they spread the cloth in the sun, and dry it after every dip: they then beat it with a stick, so as to make the indigo leaves fly off it like dust. Both practices have for their object the _clearing of the cloth_, so as to admit the indigo equally to all parts of it. The process abridged is, Four days indigo and a small quantity of sai-gee. Four days fermenting in a large quantity of sai-gee. One day at rest. Four days dipping the cloth, four dips per day. Thirteen in all.