see behind the stove a closed door which I long to open. I go about the house, up steep, worn stairs, down again and out into a garden where there is a single strawberry and I think staminate and pistillate plants should be set out to insure fertilization. Always I think of the closed door and presently I return to the house and enter the room behind the stove. On the floor is a green veil of firm texture. And at last there are cobwebs on the ceiling of my old house and I still search for my room. After the presentation of this array of symbolism quite spontaneously the interpretation arose in my mind. The old house is the recurring abode of life. I would dwell there and take my place in the line of succession. Quite in line with this symbolism was the very beautiful dream of a young woman not many months before her bridal which I give in her words--"With a crowd of unknown people I was to visit and go over a haunted house. The living room was nicely furnished in antique furniture and the whole house was very still. We went upstairs, and it passed through my mind that people who were dead and gone had moved through the rooms. I was coming down the stairs when suddenly a pipe organ burst forth. That was the haunted part--music in the air, no organ at all. We were awestricken and I awoke with the same feeling." In dreams of this character we find it necessary to predicate a creative, myth-making tendency in the structure of the mind by means of which currents of life flowing beneath all thought become articulate. Coming now to examples of reasoning by analogy directly expressive of the desire for maternity, I wish to make still more plain my view of the reason for symbolism. Maternity is untold ages old; intelligent comprehension of the function very recent. That portion of the mind functioning in dreams--that is in the majority of dreams--is unable to picture the process and its necessary antecedents. (Frankly sexual dreams occurred to me very rarely.) Instinctive acts are the last to be made objects of thought; a relatively high degree of mental development is necessary before the requisite detachment from the process can be obtained and as we have seen this detachment is beyond the power of the self that dreams. Hence the recourse to analogy and symbolism.