The Journal of Arthur Stirling : ("The Valley of the Shadow")Sinclair, Upton
General
The Journal of Arthur Stirling : ("The Valley of the Shadow")
Sinclair, Upton
Authors -- Fiction
Now I am reading history; it gives me the nightmare, but one has to read
it.
Every night when I put down my book, I flee in thought to my own land as to
a city of refuge. A history where everything counts! A history that is not
a mad, blind chaos of blood and horror! A history that has other meaning
than the drunken lust and the demon pride of a Napoleon or a Louis le
Grand!
--Some day the ages will discern two movements in history: the first, the
Christian dispensation, and the second the American.
There is a great deal in knowing how to read, especially with such books
as history. I try to read as I write; to lash my author, to make him fill
my mind. If he gets sluggish I am soon through with him--I read whole
paragraphs in a sentence, and whole volumes in an hour.
* * * * *
September 25th.
The third week of the publisher's month has gone by. God, how cruel is
waiting! I wonder if their readers knew how hungry I am if they would not
hurry a little!
I say to myself--“There has been enough of this nonsense! Oh, surely there
will not be any more, surely these men must take it!”
* * * * *
September 28th.
I still read the literary journals and tingle with excitement thinking of
the time when The Captive is discussed in them. Can I believe that this
book will not stir the world? If I did not believe it, I could not believe
anything!
I feel a new interest now in the authors that people talk about. I want
to know who they are and what they do. And all the time I find myself
thinking: “Have I more than this man?--More than that man?” That always
throws me into despair, because I am a great admirer; and because I am
always hypnotized by the last thing that I read.
But I find very little that is great in modern books. Books are better
made now than they ever were before--I mean in the way of literary
craftsmanship. As far as form goes, there is no author living who would put
together such a hodge-podge as Wilhelm Meister, or La Nouvelle Heloïse. But
they all imitate each other; they are all mild and tame; there is no real
power, no genius among them. They have even forgotten it exists.
* * * * *
I came across this, for instance, the other day in a book of Mr. Howells's:
“In fact, the whole belief in genius seems to me rather a mischievous
superstition, and if not mischievous, always, still always, a superstition.
From the account of those who talk about it, genius appears to be the
attribute of a very potent and admirable prodigy which God has created
out of the common for the astonishment and confusion of the rest of us
poor human beings. Do they mean anything more or less than the mastery
which comes to any man in accordance with his powers and diligence in any
direction? If not, why not have an end to the superstition which has caused
our race to go on for so long writing and reading of the difference between
talent and genius?”
Public-domain text, read in full here on John Shaqi.
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