[175] Nicholai Alexandrovich Yaroshenko (1846–1898), a well-known
artist, to whose brush belongs also the portrait of Tolstoi, painted
in 1895.
[176] Countess Alexandra Andreevna Tolstoi (1817–1904), a second
cousin of Tolstoi, lady-in-waiting to the Empress. Tolstoi in his
youth was on friendly terms with her. His correspondence with the
Countess A. A. Tolstoi, with the addition of a memoir by her, was
published by the Tolstoi Museum Society, Petrograd, 1911. In reference
to this meeting with her, mentioned by Tolstoi in the Journal, see
the memoirs (pages 71, 72 of the above mentioned publication). About
this same meeting and about the visit to Petrograd in general,
Tolstoi wrote to V. G. Chertkov the following (February 15, 1897):
“St. Petersburg gave me a most joyous impression. Of course the
principal thing was the meeting at your house. The depressing
impression was my conversation with A. A. Tolstoi. The terrible thing
was not only the coldness, but the cruelty and the forcing oneself
into one’s soul and the violence, the very same which had estranged
us. What a bad belief it is, which makes good people so cruel and
therefore so insensible to the spiritual condition of others. Believe
word for word as I do, otherwise if you are not exactly my enemy,
still you are a stranger.” It should be noted that from the autumn
of 1895, for the course of several years, Tolstoi did not write at
all to the Countess A. A. Tolstoi.
[177] In considering Tolstoi’s opinions concerning women found in the
Journal, one should be particularly careful to avoid misunderstanding.
First, Tolstoi, wishing from natural delicacy to make his remarks
impersonal, often generalised his private impressions and observations
from intercourse with separate individuals, and therefore these
remarks in reality carried no reflection whatever against all women
in general.
Second, even in those instances where Tolstoi consciously expressed
himself adversely about women in general, he had in mind the most
commonplace modern woman with her adverse qualities.
Public-domain text, read in full here on John Shaqi.
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