In his early life Antar was assigned to the lowly task of a keeper of camels. Here he followed the usual routine incident to such a task while the clan of his father roved from place to place, clashing with rivals in quest of the prizes of the chase or the spoils of war, or rested in some vale of Arabia and devoted itself to the simpler pastoral life. Following this sort of occupation, he so distinguished himself as to impress the woman whom he later married. This was Ibla, the beautiful daughter of Malek, another son of King Zoheir. She was, therefore, Antar's cousin. Antar's growth in courage, in bodily strength, sense of justice, and sympathy for the weak excited her admiration and high esteem. His love for Ibla found expression in deeds of valor and poems dedicated to her virtues, but the jealousy of chieftains and his lowly birth prevented their union. The magnanimity of Antar in the face of bitter opposition, however, and his undying love finally won him Ibla as his bride. Favored by great strength and a leonine courage, Antar soon passed from the duties of a keeper of camels to those of a first-class fighting man. By these virtues, so highly prized by the warlike Arabs, he ingratiated himself both with his father and his tribe. Much of the life of Antar is lost to authentic history, but that part which remains shows that he followed the career of a great chieftain endowed with military qualities, poetic gifts, and a talent for leadership of extraordinary order. According to Huart, he took part in the terrible wars of the horses arising out of the rivalry between the stallion Dahis and the mare Ghabra.[4] Treachery alone prevented the famous courser from winning the race, and in his vengeance Qais, chief of the tribe of Abs, waged bitter war against his enemies. Antar was the rhapsodist as well as a participant in these contests. Success in war rapidly followed. His kinsmen forgot his lowly birth and former menial occupation and regarded him as the first warrior of his day. His deeds of heroism increased his prestige and after his father's death he became the protector of his tribe and the pattern of Arabic chivalry. Meanwhile he had shown such rare poetic gifts that his fame spread beyond the circle of his clan and in due course of time he was selected as a contestant in those poetic trials that were peculiar to the Arabs in the pre-Islamic days. So successful was Antar's effort that he was acknowledged the greatest poet of his time and one of his odes was selected as one of the Mu 'Allakât, the seven suspended poems, while judged by the assemblage of all the Arabs worthy to be written in letters of gold and hung on high in the sacred Kaabah at Mecca, as accepted models of Arabian style.[5]