The religion of the Negroes on the plantation was then, as it is today, of a much more primitive sort. Furthermore, there were considerable differences in the cultural status of different regions of the South and these differences were reflected in the Negro churches. There was at that time, as there is today, a marked contrast between the Upland and the Sea Island Negroes. Back from the coast the plantations were smaller, the contact of the master and slave were more intimate. On the Sea Island, however, where the slaves were and still are more completely isolated than elsewhere in the South, the Negro population approached more closely to the cultural status of the native African. The Sea Islands were taken possession of in the first years of the war by the Federal forces and it was here that people from the North first came in contact with the plantation Negro of the lower South. They immediately became interested in the manners and customs of the Island Negroes, and from them we have the first accurate accounts of their folk-lore and sayings. The Sea Island Negroes speak a distinct dialect and retain certain customs which are supposed to be of African origin. It is, however, in their religious practices that we have the nearest approach to anything positively African. This has undoubtedly the characteristics of primitive ritual. But this does not mean that it is African in origin. It seems to me more likely that it is to be interpreted as a very simple and natural expression of group emotion, which is just beginning to crystallize and assume a formal character. The general tone of these meetings is that of a religious revival in which we expect a free and uncontrolled expression of religious emotion, the difference being that in this case the expression of the excitement is beginning to assume a formal and ritualistic character. In the voodoo practices, of which we have not any accurate records, the incantations that were pronounced by the priests, contain strange, magic words, scraps of ancient ritual, the meanings of which are forgotten. Lafcadio Hearne, who knew the Negro life of Louisiana and Martinique intimately and was keen on the subject of Negro folk-lore, has preserved for us this scrap from an old Negro folk song in which some of these magic words have been preserved. Writing to his friend Edward Krehbiel he says: "Your friend is right, no doubt about the 'Tig, tig, malaborn La Chelerna che tango Redjoum!'