What have the explorers in Darkest Africa found to indicate that the Africans loved the beautiful? What have the Africans to show as specimens of fine art? The music of Negro peoples has become proverbial. In so far as song is an expression of aesthetic propensities the African abundantly qualifies as a lover of art. Whether the strength of a Wagner or the melody of a Beethoven; whether the melody of a southern plantation or a concert in Symphony Hall, the principle of the music is the same. The crude instruments of which the explorer tells us are mute testimonials of the African's attempts to express himself in song and music. There were to be found in the Bagandaland, according to Roscoe, drums for dancing and the "royal" drum was elaborately decorated, thus showing a combination of sight and soul appreciation for beauty. He said that the harp and stringed fife were also found in this same tribe. The pottery found in this region was glazed and figures painted thereon indicated beyond doubt artistic design of no mean order. The basketry had various figures worked through the skillful manipulation of the bark fibres. Roscoe asserts that polychrome paintings were much in evidence among the Baganda tribes and their work in ivory corresponded favorably with the same kind of work found in Europe during the Neolithic Age. Whether fine art was indigenous is not a pertinent question but the significant thing is that Roscoe found these tribes actually giving expression to what seemed to be a well-developed sense of the beautiful. When Bent reached the ruined city of Zimbabwe, he found the natives playing upon one-stringed instruments with gourds as resonators and he avers that "the sound was plaintive if not sweet."[12] That a mode of dress is primitive is no proof that it lacks taste and a subtle refinement. This is amply illustrated by the striking beauty of Egyptian costumes which now again grace the modern stage. Though four thousand years have elapsed since Egypt basked in the pristine glory that was hers, we have many evidences that what was pretty then is not ugly now. This is no less true of the remnants of those who saw the sun of glory shine upon Mashonaland. In remarking about their apparel Roscoe is positive in the assertion that "their dress evidences taste when not contaminated with a hybrid civilization."[13] Like the Cretans, they displayed artistic tendencies to the extent the simplest tool bore evidences of ornamentation. If such tendency in the Cretans was indicative of the artistic temperament, a similar tendency in the Africans must be similarly interpreted.