Aside from the ancient walls and temples reputed to be the products of a genius foreign to the tribes of today, Bent comments favorably upon the art such as is the product of the modern inhabitant. With regard to a beautiful bowl he says: "The work displayed in executing these bowls, the careful rounding of edges, the exact execution of the circle, the fine pointed tool marks and the subjects they chose to depict point to a race having been far advanced in artistic skill." Hunting scenes are numerous and in the processions of men, animals are often put in to make for relief, sometimes a bird is introduced for the same effect. It is quite singular that in one of the hunting scenes the sportsman is a Hottentot. Sculptoring was usually done in soapstone and the bird upon the post is a subject which is frequently depicted. The drawings found by Bent in the Mazoe Valley were simple yet beautifully executed. The magnificent hand-made pottery is decorated in patterns of red and black which colors are obtained from hemolite and plumbogo. If we turn with Bent to Mtokoland and see in the Mtoko's kraal the drawings of the Bushmen, "we can trace distinctly three different periods of execution. The first is crude and now faint representation of unknown life; the second is deeper in color and admirably executed and partly on top of this latter are animals of the best period of this art in red and yellow. The third is an inartistic representation of human beings which evidently belongs to a period of decadence and in the execution of this work the colors invariably are red, yellow and black."[15] What significance has this manifestation of art? What coloring does it give to the cultural development of Africa? It simply means that the African like other peoples enjoys the finer sentiments that make life worth living. Among the writers there is as much unanimity on the question of African art as there is on African ethics. All told, it goes to show that in the essentials of culture the tribes of Africa are not entirely wanting and there are many close parallels between the cultural development in Africa and that in Neolithic Europe. What difference there is is one of degree and not of kind. While Lady Lugard's work savored more of politics than of archaeology, it cannot be doubted that her vote may be cast on the side of those who contend that the cultural manifestations of the African are pronounced when their background is considered. Though crude and rudimentary, though often hidden beneath brutal superstitions, there is always a cultural norm with brilliant possibilities for social betterment. At best we can be no more than fundamentally right or fundamentally good, and this lends color to the claim of the African to real culture. III. GOVERNMENT