[135] "The energy with which Sir Walter had set about turning his
resources, both present and past, to immediate account, with a view to
prove to his creditors, with as little delay as possible, that all that
could depend upon himself should be put in operation to retrieve his
affairs, made him often reluctant to quit his study however much he
found himself exhausted. However, the employment served to occupy his
mind, and prevent its brooding over the misfortune which had befallen
him, and joined to the natural contentedness of his disposition
prevented any approach of despondency. 'Here is an old effort of mine to
compose a melo-drama' (showing me one day a bundle of papers which he
had found in his repositories). 'This trifle would have been long ago
destroyed had it not been for our poor friend Kinnedder, who arrested my
hand as he thought it not bad, and for his sake it was kept. I have just
read it over, and, do you know, with some satisfaction. Faith, I have
known many worse things make their way very well in the world, so, God
willing, it shall e'en see the light, if it can do aught in the hour of
need to help the hand that fashioned it.' Upon asking the name of this
production, he said, 'I suspect I must change it, having already
forestalled it by the _Fortunes of Nigel_. I had called it the _Fortunes
of Devorgoil_, but we must not begin to double up in that way, for if
you leave anything hanging loose, you may be sure that some malicious
devil will tug at it. I think I shall call it _The Doom of Devorgoil_.
It will make a volume of itself, and I do not see why it should not come
out by particular desire as a fourth volume to _Woodstock_. They have
some sort of connection, and it would not be a difficult matter to bind
the connection a little closer. As the market goes, I have no doubt of
the Bibliopolist pronouncing it worth £1000, or £1500.' I asked him if
he meant it for the stage. 'No, no; the stage is a sorry job, that
course will not do for these hard days; besides, there is too much
machinery in the piece for the stage.' I observed that I was not sure of
that, for pageant and machinery was the order of the day, and had
Shakespeare been of this date he might have been left to die a
deer-stealer. 'Well, then, with all my heart, if they can get the beast
to lead or to drive, they may bring it on the stage if they like. It is
a sort of goblin tale, and so was the _Castle Spectre_, which had its
run.' I asked him if the _Castle Spectre_ had yielded Lewis much.
'Little of that, in fact to its author absolutely nothing, and yet its
merits ought to have brought something handsome to poor Mat. But
Sheridan, then manager, you know, generally paid jokes instead of cash,
and the joke that poor Mat got was, after all, not a bad one. Have you
heard it? Don't let me tell you a story you know.' As I had not heard
it, he proceeded. 'Well, they were disputing about something, and Lewis
had clenched his argument by proposing to lay a bet about it.
Public-domain text, read in full here on John Shaqi.
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