Poor James Hogg, the Ettrick Shepherd, came to advise with me about his
affairs,--he is sinking under the times; having no assistance to give
him, my advice, I fear, will be of little service. I am sorry for him if
that would help him, especially as, by his own account, a couple of
hundred pounds would carry him on.
_February_ 16.---"Misfortune's gowling bark"[172] comes louder and
louder. By assigning my whole property to trustees for behoof of
creditors, with two works in progress and nigh publication, and with all
my future literary labours, I conceived I was bringing into the field a
large fund of payment, which could not exist without my exertions, and
that thus far I was entitled to a corresponding degree of indulgence. I
therefore supposed, on selling this house, and various other property,
and on receiving the price of _Woodstock_ and _Napoleon_, that they
would give me leisure to make other exertions, and be content with the
rents of Abbotsford, without attempting a sale. This would have been the
more reasonable, as the very printing of these works must amount to a
large sum, of which they will reap the profits. In the course of this
delay I supposed I was to have the chance of getting some insight both
into Constable's affairs and those of Hurst and Robinson. Nay, employing
these houses, under precautions, to sell the works, the publisher's
profit would have come in to pay part of their debts. But Gibson last
night came in after dinner, and gave me to understand that the Bank of
Scotland see this in a different point of view, and consider my
contribution of the produce of past, present, and future labours, as
compensated in full by their accepting of the trust-deed, instead of
pursuing the mode of sequestration, and placing me in the _Gazette_.
They therefore expected the trustees instantly to commence a law-suit
to reduce the marriage settlement, which settles the estate upon Walter,
thus loading me with a most expensive suit, and, I suppose, selling
library and whatever they can lay hold on.
Public-domain text, read in full here on John Shaqi.
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