The Journal of Speculative Philosophy, Vol. I, Nos. 1-4, 1867Various
Philosophy
The Journal of Speculative Philosophy, Vol. I, Nos. 1-4, 1867
Various
Philosophy -- Periodicals
This physical form, as well as the spiritual principle which is
manifested in it, is freed from all the accidents of material life, and
from the miseries of finite existence. It is the human body with its
beautiful proportions and their harmony; all announces beauty, liberty,
grace. It is thus that this form, in its purity, corresponds to the
spiritual and divine principle which is incarnate in it. Hence the
nobleness, the grandeur, and the elevation of those figures, which have
nothing in common with the wants of material life, and seem elevated
above their bodily existence. They are immortal divinities with human
features. The body, in spite of its beauty, appears as a superfluous
appendage; and, nevertheless, it is an animated and living form which
presents the indestructible harmony of the two principles, the soul and
the body.
But a contradiction presents itself between the spirit and the material
form. This harmonious whole conceals a principle of destruction which
will make itself felt more and more. We may perceive in these figures an
air of sadness in the midst of greatness. Though absorbed in themselves,
calm and serene, they lack freedom from care and inward satisfaction;
something cold and impassive is found in their features, especially if
we compare them with the vivacity of modern sentiment. This divine
peace, this indifference to all that is mortal and transient, forms a
contrast with the moral greatness and the corporeal form. These placid
divinities complain both of their felicity and of their physical
existence. We read upon their features the destiny which weighs them
down.
Now, what is the particular art most appropriate to represent this
ideal? Evidently it is _sculpture_. It alone is capable of showing us
those ideal figures in their eternal repose, of expressing the perfect
harmony of the spiritual principle and the sensuous form. To it has been
confided the mission of realizing this ideal in its purity, its
greatness, and its perfection.
Poetry, above all, dramatic poetry, which makes the gods act, and draws
them into strife and combat contrary to their greatness and their
dignity, is much less capable of answering this purpose.
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