The journal of the American-Irish Historical Society, Vol. IX, 1910Various
History
The journal of the American-Irish Historical Society, Vol. IX, 1910
Various
American-Irish Historical Society -- Periodicals; Ethnology -- United States -- Periodicals; Irish Americans -- Periodicals
Many of his serious fugitive pieces became
popular with musicians and the world of music awaits with pleasant
anticipation the grand opera into which he has for some time been
putting his soul. He has for years been a member of the Friendly Sons of
St. Patrick, always prompt to make the musical features of its
gatherings notable, and always lending freely of his geniality to its
symposiums of good fellowship.
Bear with me for this straying into the paths of biography, for Victor
Herbert’s personality, his training, and his Irish birthright should be
known to every son of Ireland in America, not merely as a matter of race
pride but of race inspiration. We pride ourselves on our love of music.
The echoes of the olden Celtic harps must be in our souls, but we have
done little enough as a people to deserve the exquisite heritage. Our
innate love of the art should be broadly cultivated and steadily
developed, and in Victor Herbert I see a man who may yet do something
great in this way for his race and ours, as he is sure to do in lofty
composition for his own enduring fame. That is why I have dwelt on his
striking career. In securing his hearty interest in the Irish Concert
success was assured, for it brought with it the services of the
magnificent orchestra trained for years under the sway of his relentless
baton.
We do not lack for solo artists of merit and skill, but in choral music
we have not done all we could. In Ireland a modern school of composers
is doing work of which we know little here. The mending of this should
be a first step in the Irish musical renaissance. If we find poets to
write the books and lyrics, and musicians to compose the vibrant
measures to fit them, we must have singers to interpret them and
instrumentalists to give them the breadth and depth of the full artistic
inspiration. Let the little band of sixty or seventy (little as choral
renderings go in these days) who came together from the Catholic
Oratorio Society for the Irish Concert be the melodious forerunners of
Irish choral societies that may gather thousands at a time in one burst
of song. At the Irish Concert the chorus sang admirably. May every
member thereof be blessed for her or his participation, and their
example give heart to a new musical impulse among our people.
Public-domain text, read in full here on John Shaqi.
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