The journal of the American-Irish Historical Society, Vol. IX, 1910Various
History
The journal of the American-Irish Historical Society, Vol. IX, 1910
Various
American-Irish Historical Society -- Periodicals; Ethnology -- United States -- Periodicals; Irish Americans -- Periodicals
Singers and players performed delightfully. Mrs. O’Donnell, Madame
Kronold and William Ludwig—that famous veteran of the German opera and
great interpreter of Irish ballads—all won new laurels. Mr. Ludwig’s
rendition of the spirited song by John J. Rooney, author of so many fine
lyrics and ballads, was particularly impressive. But it was the work of
Victor Herbert’s orchestra that lifted the occasion to its real height.
The performance of Villiers Stanford’s Irish symphony and Herbert’s own
Irish rhapsody was as true and fine as could be conceived, and in every
way worthy of the brilliant compositions themselves. The chorus gave the
Balfe lyric and “Oft in the Stilly Night” with fine shading and their
singing of “The Fenian War Song” won an encore that would not be denied.
As a whole the concert gave an impression profoundly gratifying to all
connected with it. I have said that it was conceived in the first place
by Jeremiah Lawlor. It is right to add that Major E. T. McCrystal,
chairman of the Concert committee, worked hard with Mr. Lawlor for the
result achieved. To Mr. Lawlor, Seth Low wrote after the concert that he
found it “most enjoyable,” and added:—
“The music itself was interesting, and it was rendered in a way worthy
of all admiration. I think that those who have labored so hard for so
many years to awaken interest in Gaelic culture have not only done a
service for the members of the Irish race in this country, but, as
illustrated by this really beautiful concert, they have rendered a
valuable service to the whole country.”
It is a pleasure to bear out Mr. Low, and to formulate the hope that the
Irish Concert of that Sunday evening may be parent of great effort among
our people to justify to themselves and the world their boasted love of
the art that made Ireland famous a thousand years ago.
THE HISTORICAL PARADE.
On Tuesday, September 28, the weather in the morning held little promise
of procession weather. It had rained, and in some degree dampened ardor,
but the meteoric luck of the celebration was to prevail and by noon the
skies were opening, and just the right condition overhead and underfoot
assured. The line of the three great processions, of which this was to
be the first, had been well chosen. Assembling north of Central Park the
parade was to pass down the broad avenue of Central Park West, a
straight line of two miles and a half, turning east at 59th street for a
short half mile to Fifth avenue, then down the avenue a straight line
for another two miles and a half to the point of dispersal. For three
miles the parade was to pass between a succession of stands for
spectators, with stands at every available point on Fifth avenue and the
grand stand in the Court of Honor at 42d street, as we have noted
before.
Public-domain text, read in full here on John Shaqi.
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