The journal of the American-Irish Historical Society, Vol. IX, 1910Various
History
The journal of the American-Irish Historical Society, Vol. IX, 1910
Various
American-Irish Historical Society -- Periodicals; Ethnology -- United States -- Periodicals; Irish Americans -- Periodicals
From these starting points it was not so difficult to outline the rest
of the water programme. There should be a ceremony of receiving the two
historic craft down the bay and conducting them in a mighty parade
consisting of all the steam craft plying the nearby waters, ranged in a
fair flotilla up Hudson’s River passing the long range of seven miles of
warships and, after a ceremony of reception, returning in like order to
their berths and piers. There should be on land and water a grand
illumination by night with fireworks of the most spectacular kind. There
should again be a beautiful water pageant when the Half Moon and the
Clermont were escorted up the river that the towns and cities along its
banks might partake of the glory of the time. They would let the
procession of ships from New York end their pilgrimage at Newburg and
there let another flotilla conduct the memorial ships to Albany where
the river narrows and shoals. So was the unique water side of the
celebration outlined. For the land side the preparations were on an
equally grand scale, but here they were dealing with more familiar
material. We had had festival parades of like kind before; now we were
to have more of them than ever and each one to be more marvellous of its
kind than anything before conceived. No less than three great
processions were arranged—a grand civic procession illustrating in
floats three centuries of New York’s history, and made up of the men of
the forty races and nationalities of which our population is compounded;
a military parade to display every branch of our army service, state and
national, and in which details of sailors and marines from the foreign
warships as well as our own, should paradoxically testify to
international brotherly love by marching peacefully together armed to
the teeth. Lastly was designed a Carnival parade—a night march, devoted
to artistic symbols on illuminated floats and conducted by costumed
thousands from the German, Austrian and Swiss societies of the City.
It was natural to call on the city to drape and decorate its buildings
lavishly, to arrange for general illumination: to design a finely
pillared Court of Honor on Fifth Avenue just below 42d St. and hang it
with mazes of electric lights, to erect a grand reviewing stand facing
the Avenue and with its back to the great Library Building just emerged
from its scaffolding.
In such cases, many minor suggestions follow on the heels of the great
ones, and the week of wonders threatened to extend indefinitely. A
notable loan collection of paintings of the Dutch school was assembled
for exhibition at the Museum of Art, a rare collection of Colonial
furniture was also secured. Then came a reception with oratory at the
Metropolitan Opera House, an Irish concert at Carnegie Hall, an opera
house music festival, aquatic sports, an exhibition of flying machines
and a beautiful open air fête for 40,000 school children in the parks.
Public-domain text, read in full here on John Shaqi.
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