The journal of the American-Irish Historical Society, Vol. IX, 1910Various
History
The journal of the American-Irish Historical Society, Vol. IX, 1910
Various
American-Irish Historical Society -- Periodicals; Ethnology -- United States -- Periodicals; Irish Americans -- Periodicals
The best idea that came of the work of the Irish committees was that of
a concert of Irish music. It was brought forward by Jeremiah Lawlor, of
the Ancient Order of Hibernians, and ardently worked for by him. Once
presented to the Hudson-Fulton Commission it was given a place on the
official programme. Fortunately Victor Herbert, the distinguished
operatic composer and orchestra leader, was at hand, and instantly
accepted the concert committee’s invitation to take charge of the
programme. It involved some sacrifice on his part but he gladly made it,
and the success of the result must certainly have compensated him.
It was in the springtime, too, that another Irish feature of the
celebration was arranged, the chartering of the splendid Sandy Hook
steamer, Asbury Park, for the naval parade up the Hudson River. The
American-Irish Historical Society and the Friendly Sons of St. Patrick
coöperated in this—at a cost of $5,000 for the use of the steamer for
that single day.
RECEPTION OF THE HALF MOON AND CLERMONT.
The last week in September is apt to be blessed with fine, mild weather
in New York, and this time it held good. No more beautiful day could be
wished than Saturday, September 25, 1909, when the banks of the Hudson
River for ten miles from its mouth became the vantage ground for many
more than a million sightseers, with the great stream itself a Broadway
of the water over which the floating procession was to pass. Toward the
City shore the long line of the gathered warships stretched adrape with
gay bunting. Behind the water-front packed with human beings from the
Battery Park to Grant’s tomb and beyond, rose the great mass of the
city, its lifted turrets and spires and its soaring buildings forming a
majestic background. Power spoke in every line and mass that met the
eye, and beauty of a kind seldom seen gave its impress of delight. Down
the harbor, the fleet of steamers was gathering in its hundreds, every
craft from great Hudson River and Sound steamers and private yachts to
squadron upon squadron of tugs. All were flag-draped and all were laden
with joy-bound participants. The Brooklyn shore down to Fort Hamilton at
the Narrows, and the heights and shore of Staten Island from Fort
Wadsworth curving around the harbor were black with human beings. Hard
by the Kill von Kull lay the Half Moon and the Clermont, the one a
quaint, picturesque ghost of the great days of adventure of the early
seventeenth century, the other in its long square ugliness a reminder
that adventure with steam power in a new element was concerned with
fitness and not with beauty; that Fulton was thinking of the turning of
his ridiculous paddle wheels rather than the looks of things. And on the
Dutch craft stood a make-believe Henry Hudson with a Dutch crew clad in
the sea-dogs’ garments of his time. What a dim, pathetic figure that
real Hudson of whom here was the twentieth century shadow. He must have
Public-domain text, read in full here on John Shaqi.
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