Madame Chanteau shook her head and tightened her lips, but the words which she seemed trying to keep back broke out, apparently in spite of herself. 'It's all very well to say that, but it's a little peculiar for a young man to be always shut up with a sick girl. There! I've said what I mean and haven't kept it back, and if it doesn't please others I can't help it.' Then, noticing Louise's embarrassed look, she added: 'It isn't healthy to breathe the atmosphere of a sick-room. She may easily infect him with her sore throat. Those girls who seem so vigorous have sometimes all sorts of impurities in their blood. Well, I don't know why I shouldn't say it, but I don't think she is quite sound and healthy.' Louise then feebly defended her friend. She had always found her so nice and kind; that was the only argument which she contrived to bring forward--in reply to the accusation of a stony heart and ill-health. An instinctive desire for tranquil peace and quietness induced her to try to mitigate Madame Chanteau's rough ill-feeling, although every day she listened to her trying to excel her bitterness of the day before. While making some kind of protest against the harshness of Madame Chanteau's language, Louise indeed flushed with secret pleasure at finding herself preferred to Pauline, promoted to the position of favourite. She was like Minouche in this respect, content to be caressing so long as her own enjoyment was not interfered with. Every evening the conversation, after flowing along the same channels, ended invariably in the same way, Madame Chanteau slowly saying: 'No, Louisette, the girl that my son ought to marry----' And from that starting-point she would launch out into a disquisition upon the qualities of an ideal daughter-in-law, while her eyes all the time remained fixed upon Louise, trying to make her understand more than she was willing to actually say. It was the girl's own self that was gradually being described. A young person who had been well brought up and educated, who had acquired a knowledge of society, and who was fit to play the part of a hostess, who was graceful rather than beautiful, and, what was especially desirable, who was truly feminine and lady-like; for a boy-like girl, a hoyden who made frankness a pretence for being rough and rude, was, said she, her detestation. Then there was the question of money--which was really the only one that influenced her--and this she made a pretence of dismissing with a word, saying that, though she made no account of a dowry, her son had great schemes and aims for the future, and could not, of course, afford to contract a marriage that would be likely to lead to ruin.