Thanks, dear master-makers unawares! The gratitude of the few who
understand you is no less sincere because you do not yet realize your
own thankworthiness. Our children shall rise up and call you blessed.
For in your quiet way, you have helped to create the world's
creators--the preachers, prophets, captains, artists, discoverers, and
seers of the ages. To these, you, unrecognized and unawares, have been
providing the very sinews of peace, vision, war, beauty, originality,
and insight.
What made the game of art so brilliant in the age of Pericles? It was
not star playing by individuals. It was steady, consistent team-work
by the many. Almost every one of the Athenians who were not masters
were masters by proxy. In "The Foundations of the Nineteenth Century"
Chamberlain holds that Greek culture derived its incomparable charm
from "a peculiar harmony of greatness"; and that "if our poets are not
in every respect equal to the greatest poets of Athens, that is not
the fault of their talent, but of those who surround them." Only
imagine the joyful ease of being a poet in the Periclean atmosphere!
It must have been as exhilarating as coasting down into the Yosemite
Valley with John Muir on an avalanche of snow.
But even in that enlightened age the master received all the credit
for every achievement, and his creative appreciator none at all. And
so it has been ever since that particular amoeba which was destined
for manhood had a purse made up for him and was helped upon the train
of evolution by his less fortunate and more self-effacing friends who
were destined to remain amoebae; because the master by proxy is such
a retiring, unspectacular sort of person that he has never caught the
popular imagination or found any one to sing his praises. But if he
should ever resent this neglect and go on strike, we should realize
that without him progress is impossible. For the real lords of
creation are not always the apparent lords. We should bear in mind
that the most important part of many a throne is not the red velvet
seat, the back of cloth of gold, or the onyx arms that so sumptuously
accommodate the awe and majesty of acknowledged kings. Neither is it
the seed-pearl canopy that intercepts a too searching light from
majesty's complexion. It is a certain little filigreed hole in the
throne-back which falls conveniently close to the sovereign's ear when
he leans back between the periods of the wise, beauteous, and
thrilling address to his subjects.
Public-domain text, read in full here on John Shaqi.
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