Scotland -- Social life and customs -- 19th century -- Fiction
There was a little study at the back of the house which was lined from
top to bottom with soberly bound and unrecent books, and dominated by a
bust of Sir Walter Scott supported on a revolving bookcase which
contained the Waverley Novels, Burns' Poems, and Chambers' Dictionary,
which had an air of having been put there argumentatively, as a
manifesto of the Scottish view that intellect is their local industry.
Here, in a fog of tobacco smoke, Mr. Mactavish James reclined like a
stranded whale, reading the London _Law Journal_ and breathing
disparagingly through both mouth and nose at once, as he always did when
in contact with the English mind. He did not look up when Mr. Philip
came in, but indicated by a "Humph!" that he was fully aware of the
entrance. There was an indefinable tone in this grunt which made Mr.
Philip wonder whether he had not been overmuch influenced in seeking
this interview by the conventional view of the parental relationship. He
sometimes suspected that his father regarded him with accuracy, rather
than with the indulgence that fathers habitually show to their only
sons. But he went at it.
"Father, you'll have to speak to yon Melville girl."
Mr. Mactavish James did not raise his eyes, but enquired with the
faintest threat of mockery, "What's she been doing to you, Philip?"
"She's not been doing anything to me. What could she do? But I've just
seen her in Princes Street with yon fellow Yaverland, the client from
Rio. They were coming out of the station and they took a cab."
"What for should they not?"
"You can't have a typist prancing about with clients at this time of
night."
"It's airly yet," said Mr. Mactavish James mildly, continuing to turn
over the pages of the _Law Journal_. "We've not had our dinners yet.
Though from the way the smell of victuals is roaring up the back stairs
we shouldn't be long."
"Father, people were looking at them. They--they were holding hands." He
forced himself to believe the lie. "You can't have her carrying on like
that with clients. It'll give the office a bad name."
At last his father raised his eyes, which, though bleared with age, were
still the windows of a sceptical soul, and let them fall. "Ellen is a
good girl, Philip," he said.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account