Scotland -- Social life and customs -- 19th century -- Fiction
"No, but you are right. It has the look of something raised by public
subscription." She shot an appreciative glance at the girl, then flung
back her head and looked at the monument and laughed. Really, Richard
had chosen very well. Always before she had averted her eyes from that
white public tomb, because she knew that it had been erected not so much
to commemorate the dead as to establish the wifehood of the widow who
seized this opportunity to prison him in marble as she had never been
able to prison him in her arms. Now that this girl had expressed its
architectural quality in a phrase, the sight of it would cause amusement
and not, as it had done before, anger that a woman of such quality
should have occupied the place that by right belonged to her. That
secondary and injurious emotion would now disappear, and far from
remembering what Ellen had said, and how young and pretty and funny she
had looked when she said it, she would pass on to thoughts of the time
when she was young like that, and how in those days she had lived for
the love of the man who was under that marble; and her mind would dwell
on the beauty of those days and not on the long, the interminable horror
that followed them. Even now she knew a more generous form of grief than
hitherto, and was sorrowing because he who had liked nothing better than
to walk on the marshes and listen to the cry of the marsh birds and
smile into the blue marsh distances, lay deaf in darkness, and was not
to be brought back to life by any sacrifice. Her love ran up the
hillside and stood by his tomb, and in some way the fair thing that had
been between them was recreated. She had turned smilingly to Ellen, and
found the girl fixing a level but alarmed stare. She was facing the
situation gallantly, but found it distasteful. "What is this?" Marion
asked herself angrily, with the resentment of the elderly against the
unnecessary excitements of the young. "What is this fuss? Ah, she thinks
it is dreadful of me to look at Richard's father's tomb and laugh."
There was nothing she could say to explain it, though for a moment she
tried to find the clarifying word, and looked, she knew, disagreeable
with the effort. "Let's come on. Round this bend of the bank there's a
bed of young osiers. How fortunate that the sun has just come out!
They'll look fine.... You know what osiers are like in the winter? Or
don't they grow up North?..."
Public-domain text, read in full here on John Shaqi.
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