Scotland -- Social life and customs -- 19th century -- Fiction
When she found that her feet had reached the patch of rutted ground that
was around the gate, she sobbed with thankfulness. She threw out her
hands to the multitude of people who had suddenly gathered there, and
cried out imploringly, for if someone would only take her to a place
where she could lie down she would be all right and she would keep her
child. But none of them came to her, and her deafened ears caught a
sound of roaring. She could not see who they were and what they were
doing, for all things looked as if she saw them through flowing water.
But she knew the tall figure by the gatepost must be Mr. Goode, so she
stumbled to him and raised her head and tried to find his kind face.
But, like the boys, he wore a mask. Veins that she had never noticed
before stood out red on his forehead and his beard twitched, and the
funny lines that darted about his eyes, which had become small and
winking, made his face a palimpsest in which an affected disgust
overlaid some deep enjoyment. He did not seem to be looking at her;
indeed, he averted his eyes from her, but thoughts about her made him
laugh and send out a jeering cry--wordless like the call of the boys.
She realised that he and these people whom she could not see, but who
must be people who had known her all her life, had come out not to save
but to see her ill-treated and to rejoice. She stood stock-still and
groaned. Her head felt wet, and she put up her hand and found that a
stone had drawn blood behind her ear. The boys pressed close about her
and beat the tin can in her ears, and one stretched out a stick and
touched her, which made Mr. Goode and the unseen enemies laugh. But at
that she shrieked. She shrieked with such terrible anger at those who
insulted the mother of her child, that all their jaws fell and they
shrank back and let her pass.
Public-domain text, read in full here on John Shaqi.
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