Scotland -- Social life and customs -- 19th century -- Fiction
But that was only her daylight destiny. In the night she staggered down
Roothing High Street under stones, or sat in the brown sunshine of the
dusty room and watched Peacey stroking his fat thigh and talking of his
dear dead mother; or felt his weight thresh down on her like the end of
the world; or took into her arms for the first time the limp body of the
other child. It did not avail her if she fought her way out of sleep,
for then she would continue to re-endure the scene in a frenzy of
memory, and either way she knew the agony that the experience had given
her with its first prick, coupled with the woe that came of knowing that
those things would go on and on, until in the end a little figure in a
nightshirt beat the dark with its fists.
For a time she found solace in thinking that perhaps she was expiating
her involuntary sin in hating her child, and indeed it seemed to her
that when she evoked that little figure she felt something in her heart
which, if she and the frozen substance of her were triturated a little
more by torture, might grow into that proper loving pain which she
coveted more than any pleasure. But that process, if it ever had begun,
was stopped when Richard was fifteen.
It happened, two days after he had come home for the summer holidays,
that in the early part of the night she had again been stoned and that
she had started up, crying out, "Harry! Harry!" She heard the latch of
the door lift, and someone stood on her threshold breathing angrily.
Half asleep, she mumbled, "Harry, it can't be you?..." A voice answered
haltingly, "No," and a match scratched, and Richard crossed the room and
lit the candle by her bedside. She could not see him, for the light was
too strong after the darkness, and she could not quite climb out of her
dream, but she rocked her head from side to side and muttered, "Go to
bed, I'm all right, all right." But he sat down on her bed and took her
hand in his, and said sullenly, "You've been calling out for my father.
Why are you doing that?" She whimpered, "Nothing. I was only dreaming."
But he went on, terrifying her through her veil of sleep. "I know all
about it, mother. The other boys told me about it. And Goodtart said
something once." His hand tightened on hers. "You used to meet him up at
that temple." For a minute he paused, and seemed to be shuddering, and
then persisted, "What is it? Why do you cry almost every night? I've
heard you ever so often. You've got to tell me what's the matter."
Public-domain text, read in full here on John Shaqi.
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