Mountain life -- Fiction; Tennessee, East -- Fiction
The next moment, two of the tennis-players, ending the diversions
of the afternoon with a walk, approached the bridge: the man in his
immaculate white flannels, his racket carried over his shoulder; the
girl in her picturesque tennis toggery. Royce, dusty, besprinkled with
sand, conscious of his coarse ill-made jeans clothes and his great
cowhide boots, colored to the roots of his hair as their eyes fell upon
him. In adaptation to the custom of the mountaineers, who never fail
to speak to a stranger in passing, they both murmured a “Good-evening”
as they went by. Royce, rousing with a galvanic start, lifted his hat,
hardly realizing why they should glance at him in obvious surprise and
with elevated eyebrows. For one moment he pondered fruitlessly on the
significance of this trifling incident. The solution of the mystery
came to him with a monition of added caution. The social training of
the mountaineer does not comprise the ceremony of lifting the hat in
salutation. If he would sustain the rural character he must needs have
heed, since so slight a deflection was marked. He heard them laughing
as they went, and he thought, with all the sensitiveness incident to a
false position, that he was the cause of their mirth, the incongruity
of this “million of manners” with such a subject. With an aversion
to a repetition of this scene he betook himself out of the way of
further excursionists, noticing that several couples were slowly
strolling in the direction of the bridge. But as he moved forward from
under the shadows of the fir and into the clear space of the lawn, he
could scarcely sustain the observation which he felt leveled at him,
Argus-eyed, from the verandas, the lawn, the tennis-court, the crags.
His pride was in arms against his humble plight. His face burned with
shame for his coarse garments, the dust, the very clumsiness of his
rough boots, the length of his overgrown silky red-brown hair, his
great awkward hat, the uncouth figure he cut in respectable society.
But despite the flush on his cheek, and a thrill hot and tingling ever
starting with each searing thought to his eyes, as if tears were to be
shed but for the sheer shame of it, he laughed scornfully at his pride,
and despised himself to be so poor, so forlorn, so outcast from his
native world, yet so yearning for it. “What does it matter?” he said
to himself. “They don’t know me. Lucien Royce is dead,--dead forever.”
He walked on for a few minutes, the trained gait of an athlete, his
graceful bearing, the individuality and distinction of his manner, all
at their best, mechanically asserted as an unrealized protest in some
sort that those lorgnettes on the verandas should not conceive too
meanly of him. “I suppose I thought the ghost of a dude like Lucien
Royce would be a mighty well-set-up affair, with a sort of spectral
style about him and an unearthly chic. But what does it matter what
they think of a nonentity of a stray mountaineer like this? Lucien
Public-domain text, read in full here on John Shaqi.
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