Mountain life -- Fiction; Tennessee, East -- Fiction
The two elderly strangers accommodated the expression of their views
to the evident opinion of those of their time of life, applauding when
the gentlemen about them applauded, maintaining an air of interest
when they were receptive and attentive. Was it possible, one might
wonder in looking at them, that differences so essential could be
unremarked--that it was not patent to the most casual observer that
they had some far more serious reason for their presence than the
indulgent laudation of the amateur entertainment which inspired the
friends and relatives of the youthful performers? The perspicacity of
the casual observer, however, was hampered by the haze of the pervasive
obscurity; from the stage each might seem to the transient glance
merely a face among many faces, the divergences of which could be
discerned only when some intention or interest informed the gaze.
Lucien Royce saw only that oasis in the gloom where the high lights
of Miss Fordyce’s delicately tinted costume shone in the dusk. He was
keenly mindful of a flash of girlish laughter, the softly luminous
glance of her eye, the glimmer of her white teeth as her pink lips
curled, the young delight in her face. How should he care to note
the null, impassive countenance of the one man, the grizzled stolid
bourgeois aspect of the other?
The manager, keenly alive to the success of the entertainment,
advanced a number of the programme since the pistol trick was
discarded. Having observed the fate of this from the wings, he handed
to Royce a flower-pot filled with earth for a feat which it had been
his intention to reserve until after the first act of the play.
“Now, ladies and gentlemen,” said the juggler, “oblige me by looking
at this acorn. It is considered quite harmless. True, it will shoot,
too, if you give it half a chance; but I am told,” with a glance of
raillery, “that its projectile effects are not deleterious in any
respect to the human anatomy.”
The ladies who had been afraid of the pistol laughed delightedly, and
the guyed elderly gentlemen good-naturedly responded in another round
of applause, so grateful were they to have no shooting on the stage,
and no possible terrifying accidents to their neighbors, themselves,
and their respective families.
“There is nothing but pulverized earth in this flower-pot,” continued
the juggler, running his hand through the fine white sand, and shaking
off the particles daintily, “a little too sandy to suit my views and
experience in arboriculture, but we shall see--what we shall see! I
plant the acorn, thus! I throw this cloth over the flower-pot, drawing
it up in a peak to give air. And now, since we shall have to wait for a
few moments, I shall, with your kind indulgence, beguile the tedium, in
imitation of the jongleurs of eld, with a little song.”
Public-domain text, read in full here on John Shaqi.
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