Mountain life -- Fiction; Tennessee, East -- Fiction
Her mother and the juggler were later still. The diurnal aspect of
the little gray unpainted building in the midst of the green shadows
of the great forests, with the wide-spreading boughs of the trees
interlacing above its roof, was not familiar to Royce, who had been
here only after dark on the evening of his memorable entertainment.
The array of yokes of oxen, of wagons, of saddle-horses hitched to the
trees, had been noisily invisible in the blackness, on that occasion.
The group of youths hanging about the sacred edifice outside had a
prototype in the Sunday curbstone gatherings everywhere, and he at once
identified the species. A vague haze of dust pervaded the interior; it
gave a certain aspect of unreality to the ranks of intent figures on
the benches, as if they were of the immaterial populace of dreams. A
slant of the rich-hued sunlight fell athwart the room in a broad bar of
a dully glamourous effect, showing a thousand shifting motes floating
in the ethereal medium. A kindred tint glowed in the folds of a yellow
bandanna handkerchief swinging from one of the dark brown beams, and
served to advertise its loss by some worshiper at the last meeting.
Not so cheerful was another waif from past congregations,--a baby’s
white knitted woolen hood; it looked like the scalp of this shorn lamb
of the flock, and was vaguely suggestive of prowling wolves. On the
platform were four preachers who were participating in the exercises of
the day. Two of muscular and massive form had an agricultural aspect
rather than that of laborers in a spiritual vineyard, and were clad
in brown jeans with rough, muddy cowhide boots; they were dogmatic
of countenance, and evidently well fed and pampered to the verge of
arrogance; they sat tilted back in their splint-bottomed chairs,
chewing hard on their quids of tobacco, and wearing a certain easy,
capable, confident mien as of an assurance of heavenly matters and a
burly enjoyment of worldly prominence. They listened to a hymn which
the third--whom Royce recognized as old Parson Greenought--was “lining
out,” as he stood at the table, with a kind of corroborative air as
became past masters in all spiritual craft. They had traveled the
road their colleague sought to point out in metre, and were not to be
surprised at any of its long-ago-surmounted obstacles. At the end of
every couplet, each of them, while still seated, burst into song with
such patent disregard of the pitch of the other, the whole congregation
blaring after, that the juggler quaked and winced as he sat among the
men,--the women being carefully segregated on the other side of the
church,--and had much ado to set his teeth and avoid wry faces. The
fourth minister was not singing. He sat with his head bowed in his
hand, his elbow supported by the arm of his chair, as if lost in silent
prayer. The juggler watched his every motion as for deliverance from
the surging waves of sound, permeated with that rancorous independence
Public-domain text, read in full here on John Shaqi.
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