India -- History -- British occupation, 1765-1947 -- Fiction
Her face flaming, the girl drew back and was about to retire into her
room when suddenly she stopped, rigid with surprise. For above the
shouts of the maskers, the roars of the spectators and the din of the
clashing cymbals and braying trumpets, she heard her name spoken
distinctly. Incredulous she stood rooted to the ground and stared at the
yelling clowns perched on the railing. The uproar redoubled; but again
she distinguished one word above it all:
"Muriel!"
A wild hope flashed into her heart. Pretending to be amused at the
antics of the performers she advanced laughingly towards them. They
gesticulated and shouted more furiously than ever. But in the medley of
strange sounds she distinctly heard the words:
"It's I, Frank. Don't be afraid."
They seemed to come from the _papier maché_ head of a grotesque serpent
worn by a man who was foremost among her tormentors and wildest in his
frenzied gestures. Smiling the girl stood her ground even when some of
the maskers, encouraged by her attitude, climbed down from the rail and
surrounded her, dancing, hallooing, leaping. The snake-headed one was
the wildest in his antics and shrieked and shouted loudest of them all.
But mixed up with incoherent cries and sounds she caught the words:
"Are you guarded?" A wild yell followed. "Can you get out?" Then he
yelled like a mad jackal.
With wildly-beating heart the girl pretended to repulse the advances of
the maskers good-humouredly and spoke to all in English, telling them to
leave her balcony and cease to molest her. But with her laughing
remonstrances she mingled the words:
"I am not guarded. I can leave my room. I will go down to the temple and
wait behind the statue of Buddha."
Then the serpent-headed one, aided by another with dragon mask, both
uttering fiendish yells, pushed his companions back to the railing, just
as the Penlop spoke to one of his officials who shouted across to them
an angry command to leave the white woman alone. The scared maskers
tumbled over each other in their hurry to quit the balcony.
Thrilled with delight the girl watched them go and then, when the entry
of a fresh body of mummers into the courtyard distracted the attention
of the spectators from her, she withdrew quietly to her room. She was
alone, the nun having gone long ago to witness the Devil Dance from
among the crowd. Muriel opened the door leading to a broad stone
staircase and peered cautiously out. There was no one to be seen. All
the inhabitants of the monastery were gathered in the courtyard. She
stole carefully down to a side door of the lamasery chapel.
Public-domain text, read in full here on John Shaqi.
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