Next morning the King came and said, “Now thou must have learned what shuddering is?” “No,” he answered; “what can it be? My dead cousin was here, and a bearded man came and showed me a great deal of money down below, but no one told me what it was to shudder.” “Then,” said the King, “thou hast delivered the castle, and shalt marry my daughter.” “That is all very well,” said he, “but still I do not know what it is to shudder!” Then the gold was brought up and the wedding celebrated; but howsoever much the young King loved his wife, and however happy he was, he still said always: “If I could but shudder—if I could but shudder.” And at last she was angry at this. Her waiting-maid said, “I will find a cure for him; he shall soon learn what it is to shudder.” She went out to the stream which flowed through the garden, and had a whole bucketful of gudgeons brought to her. At night when the young King was sleeping, his wife was to draw the clothes off him and empty the bucketful of cold water with the gudgeons in it over him, so that the little fishes would sprawl about him. When this was done, he woke up and cried: “Oh, what makes me shudder so?—what makes me shudder so, dear wife? Ah! now I know what it is to shudder!” ÆSOP’S FABLES This has come to be the commonly accepted name for the well-known collection of stories about animals, though we cannot be sure that any of them, were written by the Greek slave of that name, who, Herodotus tells us, lived about the year 55O B.C. The fable about animals is probably the oldest form of story known. Its object is to teach a lesson to men and women, without seeming to do so, and because of this concealed lesson it has always been a great favorite with all nations. In Russia, for example, where a man did not dare say what he thought about a Government officer, he could tell a fable about the Dog in the Manger. THE TOWN MOUSE AND THE COUNTRY MOUSE