The Junior Classics, Volume 3: Tales from Greece and Rome
General
The Junior Classics, Volume 3: Tales from Greece and Rome
Children's literature; Mythology, Classical -- Juvenile literature
And yet, in his earlier days, before he was so entirely possessed of this
insane desire for riches, King Midas had shown a great taste for flowers.
He had planted a garden, in which grew the biggest and beautifulest and
sweetest roses that any mortal ever saw or smelt. These roses were still
growing in the garden, as large, as lovely, and as fragrant, as when
Midas used to pass whole hours in gazing at them, and inhaling their
perfume. But now, if he looked at them at all, it was only to calculate
how much the garden would be worth if each of the innumerable rose petals
were a thin plate of gold. And though he once was fond of music (in spite
of an idle story about his ears, which were said to resemble those of
an ass), the only music for poor Midas, now, was the chink of one coin
against another.
At length (as people always grow more and more foolish, unless they
take care to grow wiser and wiser), Midas had got to be so exceedingly
unreasonable that he could scarcely bear to see or touch any object
that was not gold. He made it his custom, therefore, to pass a large
portion of every day in a dark and dreary apartment, under ground, at
the basement of his palace. It was here that he kept his wealth. To this
dismal hole—for it was little better than a dungeon—Midas betook himself
whenever he wanted to be particularly happy. Here, after carefully
locking the door, he would take a bag of gold coin, or a gold cup as big
as a washbowl, or a heavy golden bar, or a peck-measure of gold-dust,
and bring them from the obscure corners of the room into the one bright
and narrow sunbeam that fell from the dungeon-like window. He valued the
sunbeam for no other reason but that his treasure would not shine without
its help. And then would he reckon over the coins in the bag; toss up
the bar, and catch it as it came down; sift the gold-dust through his
fingers; look at the funny image of his own face, as reflected in the
burnished circumference of the cup; and whisper to himself, “O Midas,
rich King Midas, what a happy man art thou!” But it was laughable to
see how the image of his face kept grinning at him, out of the polished
surface of the cup. It seemed to be aware of his foolish behavior, and to
have a naughty inclination to make fun of him.
Midas called himself a happy man, but felt that he was not yet quite
so happy as he might be. The very tiptop of enjoyment would never be
reached, unless the whole world were to become his treasure-room, and be
filled with yellow metal which should be all his own.
Public-domain text, read in full here on John Shaqi.
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