“The next day I was on hand bright and early. I helped stretch the rope
between two mill roofs, ran errands, and made myself generally useful.
When not busy I hung about, watching my employer. He certainly was an
artist in his line, a man without bravado, either all nerves or none at
all. I could not help thinking, too, that for an Italian he spoke English
remarkably well.
“At half past two a carriage took us from the hotel to the western mill.
We dressed in the loft. The signor donned his tinsel-spangled tights. I
figured as clown in an old stovepipe hat and white cotton suit, liberally
besprinkled with stars of red and green. The same colors streaked my
face. As we clambered through the scuttle, the crowds lining the bridges
and banks set up a shout, and the town band on the other mill began
playing ‘The Star-Spangled Banner.’
“Sharp at three o’clock the music stopped. The assistant on our roof
advanced to the edge, fired six blank cartridges from a self-cocking
revolver, and shouted this magniloquent announcement through a megaphone:
“‘Ladies and gentlemen, the celebrated Signor Lupini will now illustrate
his art, assisted by Rinaldo Nobisco, the famous clown, recently secured
from the London hippodrome, ladies and gentlemen, at great trouble and
expense.’
“Whistles and catcalls from the boys below greeted this absurd reference
to me, and I felt rather foolish. Signor Lupini stepped briskly forward,
bowed to his audience and was soon promenading along the spidery line
between the two cornices. Aided by a long balancing-pole, he stood on one
foot, knelt, lay down, walked across blindfold, and performed many other
marvelous feats. His perfect control of nerve and muscle fascinated me. I
did not realize that his facility came from years of toilsome practice.
“Here was the calling for me. I resolved to stretch a rope the very next
day between the beams over the haymow.
“During the signor’s exhibition the crowd was very quiet, and the band
did not play. It was only when he was once more safe upon the roof that
their long-restrained applause broke forth, and the band struck up ‘Hail
to the Chief.’ He rested a few minutes, and then motioned to me to make
ready.
“Among our paraphernalia was a strong, light wheelbarrow with a tire
grooved to fit the rope. I began to feel a little shaky; but there was no
time to indulge this emotion, for my employer exclaimed: ‘All aboard, my
boy, and remember, a stiff upper lip!’
“I seated myself, facing forward, my feet dangling on each side of the
wheel. Signor Lupini, stooping, gripped the handles.
“‘Sit steady,’ he said. ‘Don’t wink one eye unless you wink the other at
the same time.’
“He ran me a few turns round the graveled surface, then flicked the wheel
dexterously up on the rope and headed straight for the edge.
“‘Keep perfectly still,’ he adjured me, ‘and you’re as safe as you’d be
on the street.’
Public-domain text, read in full here on John Shaqi.
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