And now I must tell you about the Princess’s learning and
accomplishments, for which she had such a wonderful character. Clever
Angelica certainly was, but as _idle as possible_. Play at sight, indeed!
she could play one or two pieces, and pretend that she had never seen
them before; she could answer half a dozen “Mangnall’s Questions”; but
then you must take care to ask the _right_ ones. As for her languages,
she had masters in plenty, but I doubt whether she knew more than a few
phrases in each, for all her pretence; and as for her embroidery and her
drawing, she showed beautiful specimens, it is true, but _who did them_?
This obliges me to tell the truth, and to do so I must go back ever so
far, and tell you about the Fairy Blackstick.
III
TELLS WHO THE FAIRY BLACKSTICK WAS, AND WHO WERE EVER SO MANY GRAND
PERSONAGES BESIDES
Between the kingdoms of Paflagonia and Crim Tartary, there lived a
mysterious personage, who was known in those countries as the Fairy
Blackstick, from the ebony wand or crutch which she carried; on which
she rode to the moon sometimes, or upon other excursions of business or
pleasure, and with which she performed her wonders.
When she was young, and had been first taught the art of conjuring
by the necromancer, her father, she was always practising her skill,
whizzing about from one kingdom to another upon her black stick, and
conferring her fairy favors upon this Prince or that. She had scores of
royal godchildren; turned numberless wicked people into beasts, birds,
millstones, clocks, pumps, bootjacks, umbrellas, or other absurd shapes;
and, in a word, was one of the most active and officious of the whole
College of fairies.
But after two or three thousand years of this sport, I suppose Blackstick
grew tired of it. Or perhaps she thought, “What good am I doing by
sending this Princess to sleep for a hundred years? by fixing a black
pudding on to that booby’s nose? by causing diamonds and pearls to drop
from one little girl’s mouth, and vipers and toads from another’s? I
begin to think I do as much harm as good by my performances. I might as
well shut my incantations up, and allow things to take their natural
course.
Public-domain text, read in full here on John Shaqi.
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