American fiction; California -- Social life and customs -- Fiction; Short stories, American
The gipsies stole out, after them the five well-dressed young men. Next
the officers saluted the desk and passed Agatha with pitying glances.
Only the reporter remained.
“Say,” said the lieutenant to him, “Oi’ve give y’ manny a scoop, ain’t
Oi?”
“Yes,” said the reporter, “you have.”
“Wull, thin. An’ d’ye know yere missin’ th’ story of yer loife this
siccond?”
“For heaven’s sake! What is it?”
The lieutenant leaned toward him, dropping his voice dramatically.
“Hist!” he exclaimed. “They’s a man dead in Brooklyn!” He gave a
prodigious wink.
“Oh, I see. All right,” said the reporter. He waved a hand and went out.
Then Mr. McVicar began to speak again--to Agatha, and so quaveringly
that the lieutenant knew the tears were close there, too. The
lieutenant turned his back and fell to studying a map.
“I’ve been a coward and a cad,” said that quavering voice, “and you’ll
never forgive me. But, honestly, I did it all because I--I wanted to
be with you. So I pretended I was--was--uncle that morning that I
telephoned. Every day I thought the truth would come out. And lots of
times I came near skipping town. The fellows wouldn’t let me alone a
minute--from the time I had to tell one of ’em (_you_ remember) that I
was deaf and dumb. The fiends! Oh, _don’t_ cry so! I’d--I’d die if it’d
do any good.”
Agatha raised her tear-wet face. “I’m not c-r-crying because I’m
angry,” she sobbed, putting out her two hands to him. “I’m c-c-crying
because you’re not d-- and d--.”
His strong arms caught her up then and held her close, and for all the
silent, pent-up hours he had spent with her there now gushed forth a
thousand whispered words of rapturous endearment. And he kissed her
poor, trembling lips, her chin, her black-lashed eyelids--even the
fluff of her hair.
“Dearest,” he whispered, “I loved you the second I spied you from
behind that reference table.”
Agatha suddenly stopped her sobbing. Then she leaned away from him--and
looked down. The plaid she saw above his half-shoes was red and brown
at right angles upon a French-knotted ground of blue. It was not
exactly the plaid that had been displayed that other day, but it was a
full cousin to it.
The sun broke through the clouds then, for as she looked up once more
a smile lit all that scarlet rounding of her cheeks where her dimples
were. “Then, d-dear,” she began, both gloved hands creeping up to rest
on his shoulders, “wh-what is your tr-truly name?”
A YELLOW MAN AND A WHITE
Fong Wu sat on the porch of his little square-fronted house, chanting
into the twilight. Across his padded blouse of purple lay his _sam-yen_
banjo. And as, from time to time, his hymn to the Three Pure Ones
was prolonged in high, fine quavers, like the uneven, squeaky notes
of a woman’s voice, he ran his left hand up the slender neck of the
instrument, rested a long nail of his right on its taut, snake’s-skin
head, and lightly touched the strings; then, in quick, thin tones, they
followed the song to Sang-Ching.
Public-domain text, read in full here on John Shaqi.
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