American fiction; California -- Social life and customs -- Fiction; Short stories, American
Something moved in the chaparral clump above him. He turned, and saw
two small brown-feathered birds emerge.
“Quail!” he said under his breath. He reached for the gun, aimed
quickly, and fired.
Instantly mingled cries went up: the frightened gobbling of grown
turkeys, the pitiful cheeps of a young bird as it tumbled about in the
grass, and, louder than these, the wailing plea of a girl--“Oh! oh!
don’t shoot!”
Then, racing down upon him, came Vincenza, her hat gone, her dark hair
flying, her face white with anxiety for her flock.
There he stood, red-handed, the gun in his grasp, the injured chick at
his feet.
She saw the little crumpled victim now, and with a pitiful sob sank
down and took it into her lap. “Ah! poor Maria!” she wept, smoothing a
stained wing.
“Vincenza,” pleaded Austin, putting the gun aside and kneeling beside
her, “I didn’t mean to do it. I thought it was a quail. Oh, I’m so
sorry. Listen. I’ll make the loss up a thousand times. Come, _please_
don’t cry.”
The chaparral crashed above him. He stood up--in time to meet the angry
black eyes of a stalwart young man, who came panting upon the scene,
carrying Vincenza’s hat.
“What’s the matter?” demanded the newcomer. “My Vincenza, are you hurt?
This fool has been shooting.” And lifting the girl up, he held her, as
if in defence, against his breast. [Instantly Austin divined why the
mistress of High Court had no need to belittle the turkey-girl!]
“No, no, Guido,” Vincenza sobbed protestingly, “he is not a fool.”
“He kills the turkeys,” went on Guido, glaring at Austin. “Say, Mister,
what’s the matter with you?”
“I’ll make it right,” Austin answered in a low voice.
“The devil!” began Guido, almost shaking Vincenza in his wrath. “But
she loves each little one.”
Vincenza interrupted him. A slim hand came up and settled determinedly
upon his mouth. “Guido,” she entreated, “do not be so mad. I would
have to sell them all before the wedding, would I not? And Maria was
so young--she was not worth two-bits. Only”--plaintively--“she dies a
little sooner.”
“Well, anyhow,” went on Guido, not a whit pacified, “I like to know why
you hang around and hang around here all the time. Vincenza, she is
mine, and I do not----”
Again, the girl interrupted. This time, she stepped back a little,
holding her lover at arm’s length and smiling at him through her tears.
“Oh, poor Guido,” she cried teasingly, with a swift look toward
Austin. “What you think? He is jealous! And of this kind old gentleman!”
Austin involuntarily straightened, and his head jerked back as if from
a blow. The doubts that had troubled him were settled. Truth had spoken.
He took out a bulging leather purse, opened it, and let a dozen shining
fives run into his hand. Then, his sensitive face pale, his look
subdued, he held out the money to Guido.
The young Italian received it with something short of a bow, and
proffered it to Vincenza. “Here,” he said soothingly.
Public-domain text, read in full here on John Shaqi.
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