Germany -- Politics and government -- 1888-1918; William II, German Emperor, 1859-1941; World War, 1914-1918
All great state building projects depended on the vote of the
investigating "Academy of Building," which, at that time, was a
slow-moving, cumbrous, and backward body. I had already had experiences
of my own with it. The "White Drawing Room," originally merely
provisional, had been put up without much attention to style--it had
been intended at first for an Indian masquerade, a "Lalla Rookh"
festival, in honor of the Grand Duchess Charlotte, daughter of
Frederick William III, and her husband, later Tsar Nicholas I. An
investigation instituted at my order showed the material to be spurious
and inferior; the structure was in the worst possible state of decay
and in danger of collapse; a new one was needed.
With the co-operation and collaboration of the Empress Frederick,
projects and plans were made, and, finally, a big model was provided
by Building Councilor Ihne--the "modern Schlüter," as the Empress
Frederick used to call him--which won unanimous approval. Only the
Building Academy opposed wearisome objections, stating that the "White
Drawing Room" ought to be preserved "in its old historical beauty," and
required no alterations. When the new structure was completed, however,
it also met with the approval of the gentlemen who had been formerly so
critical.
Herr von Stephan also was at loggerheads with the Academy of Building.
He wanted to alter many post offices, or build entirely new ones,
especially in the big cities, but, in view of the fearful slowness
and devotion to red tape of the aforesaid official body, he used to
receive no answers at all, or else refusals, when he brought these
matters to its attention. The rule of thumb was supreme there. Herr
von Stephan was of the opinion that, in its buildings as well as in
other directions, the youthful German Empire must give an impression of
power, and that the Imperial post offices must be built accordingly;
he believed that they should harmonize with the general style of the
towns where they were located, or, at least, conform to the style of
the oldest and most important buildings there. Nor could I do otherwise
than agree with such a view.
ACADEMY'S SHACKLES BROKEN
At last there came a rupture with the aforementioned Academy. His
Excellency von Stephan lost patience and informed me that he had freed
his office, and the buildings erected by it, from the supervision of
the Academy; that he had even formed a committee from among his own
architects and officials for supervising purposes; and that all he
asked of me was to subject the more important plans for buildings to a
final inspection. I did so willingly.
Stephan was an enthusiastic huntsman, so that I had additional
opportunities, while on the court hunts, to enjoy association with this
refreshing, unchanging, faithful official and counselor.
Public-domain text, read in full here on John Shaqi.
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