The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful artsBrewster, David
Science
The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful arts
Brewster, David
Kaleidoscopes
When we consider the immense variety of professions connected both with
the fine and the useful arts, in which the creation of symmetrical
ornaments forms a necessary part, we cannot fail to attach a high
degree of utility to any instrument by which the operations of the
artist may be facilitated and improved. We are disposed to imagine
that no machine is really useful, unless it is directly employed in
providing for our more urgent wants. This, however, is a vulgar error.
An engine which forms the head of a pin, has, in reality, as much
importance as an engine for raising water, or for manufacturing cloth;
for in these cases the three machines have the same object, which
is merely that of abridging manual labour. The water would still be
raised, and the cloth and pins manufactured, if the machines did not
exist; but the machinery insures us a more regular supply of these
articles, and enables us to receive them at a cheaper rate.
The operations of machinery have, however, a still higher character in
comparison with those of individual exertion, when they enable us to
obtain any article, either of necessity or of luxury, in a more perfect
state. In this case, the machine effects what is beyond the reach of
manual labour; and instead of being the mere representative of animal
force, it exhibits a concentration of talent and skill which could not
have been obtained by uniting the separate exertions of living agents.
When we consider, that in this busy island thousands of individuals are
wholly occupied with the composition of symmetrical designs, and that
there is scarcely any profession into which these designs do not enter
as a necessary part, so as to employ a portion of the time of every
artist, we shall not hesitate in admitting, that an instrument must
have no small degree of utility which abridges the labour of so many
individuals. If we reflect further on the nature of the designs which
are thus composed, and on the methods which must be employed in their
composition, the Kaleidoscope will assume the character of the highest
class of machinery, which improves at the same time that it abridges
the exertions of individuals. There are few machines, indeed, which
rise higher above the operations of human skill. It will create, in a
single hour, what a thousand artists could not invent in the course of
a year; and while it works with such unexampled rapidity, it works also
with a corresponding beauty and precision.
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