The Kathá Sarit Ságara; or, Ocean of the Streams of StorySomadeva Bhatta, active 11th century
General
The Kathá Sarit Ságara; or, Ocean of the Streams of Story
Somadeva Bhatta, active 11th century
Folk literature -- Themes, motives; Hindu mythology; India -- Social life and customs; Tales -- India
the bridegroom she desired, but, when Vásavadattá heard that news,
she was depressed in spirit. That intelligence, when it reached her
ear, changed the colour of her face, and assisted the transformation
effected by her disguise. But Vasantaka said, "In this way an enemy
will be turned into a friend, and your husband will not be alienated
from you." This speech of Vasantaka consoled her like a confidante,
and enabled her to bear up. Then the discreet lady again prepared for
Padmávatí unfading garlands and forehead-streaks, both of heavenly
beauty, as her marriage was now nigh at hand; and when the seventh
day from that arrived, the monarch of Vatsa actually came there with
his troops, accompanied by his ministers, to marry her. How could he
in his state of bereavement have ever thought of undertaking such a
thing, if he had not hoped in that way to recover the queen? And the
king of Magadha immediately came with great delight to meet him, (who
was a feast to the eyes of the king's subjects,) as the sea advances
to meet the rising moon. Then the monarch of Vatsa entered the city of
the king of Magadha, and at the same time great joy entered the minds
of the citizens on every side. There the women beheld him fascinating
[217] the mind, though his frame was attenuated from bereavement,
looking like the god of love, deprived of his wife Rati. Then the king
of Vatsa entered the palace of the lord of Magadha, and proceeded to
the chamber prepared for the marriage ceremony, which was full of women
whose husbands were still alive. In that chamber he beheld Padmávatí
adorned for the wedding, surpassing with the full moon of her face
the circle of the full moon. And seeing that she had garlands and
forehead-streaks such as he himself only could make, the king could
not help wondering where she got them. Then he ascended the raised
platform of the altar, and his taking her hand there was a commencement
of his taking the tribute [218] of the whole earth. The smoke of the
altar dimmed his eyes with tears, as supposing that he could not bear
to witness the ceremony, since he loved Vásavadattá so much. Then the
face of Padmávatí, reddened with circumambulating the fire, appeared
as if full of anger on account of her perceiving what was passing in
her husband's mind. When the ceremony of marriage was completed, the
king of Vatsa let the hand of Padmávatí quit his, but he never even
for a moment allowed the image of Vásavadattá to be absent from his
heart. Then the king of Magadha gave him jewels in such abundance,
that the earth seemed to be deprived of her gems, they all having
been extracted. And Yaugandharáyana, calling the fire to witness on
that occasion, made the king of Magadha undertake never to injure his
master. So that festive scene proceeded, with the distribution of
garments and ornaments, with the songs of excellent minstrels, and
the dancing of dancing-girls. In the meanwhile Vásavadattá remained
Public-domain text, read in full here on John Shaqi.
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