[25] The principal works of Juan Luna are: The death of Cleopatra for which he received a silver medal; this was painted under the tutorship of Sr. Vera. Under the same master he painted the Spoliarium for which he was rewarded a gold medal, but this not really for the merit of the picture but in order to put an end to a rivalry between two Spanish painters. On his own account he painted and gave forth The Battle of Lepanto; this was received almost with hisses and was heartily criticized. Also the Profanation of the Tombs; if anything this was worse. As the savage nature which lay dormant in his breast became more and more awakened his paintings became more and more decadescent: his Pacto-de-Sangre, in the which he inspired the return to one of the most barbarous customs of pre-Spanish times in the archipelago, rubs off the last touches of the veneer of civilization which formed the dividing line between the indian of the city and the indian of the mountain and forest. [26] "Andrés Bonifacio told the witness that he communicated with the president of the Superior Supreme Council, who was Francisco L. Roxas latterly, and Doroteo Cortés formerly; ... "Testimony of Pio Valenzuela (fols. 591 to 597). [27] "... Doroteo Cortés and a certain Artacho were those who were in understanding with the Japanese Government, which would find a way to send people of the laboring classes to the Philippines, to the end of seeking motives which might give excuse for a war between Spain and that Power". Testimony of Pio Valenzuela (fols. 1,663 to 1,673). [28] "... The Supreme Council (of the Liga) decided to purchase arms and ammunition in Japan, sending to that country at the proper time, a commission to ask of that Government its aid and protection for the Philippines, under the condition that some islands of the Archipelago should be ceded to that nation as a recompense; ... Cortés, Ambrosio Bautista and others being chosen to form the commission." Testimony of Numeriano Adriano (fols. 1,309 to 1,312). [29] "It the having been known for some time that Pedro Serrano had malverted the money gathered for Rizal, and for the funds of the Propaganda, the associates of Masonry stopped the individual payment of the 50 cents per month for La Propaganda...." Extract from the testimony of Antonio Salazar y San Agustin (fols. 1,118 to 1,129 Sept. 22, 1896). [30] For a description of anting-anting see appendix D.