Not three weeks ago you were sitting opposite me and speaking of Hester.
You admitted many things that night, amongst them that the girl never
carried you off your feet. You stated over again with precision all you
had written. You betrothed yourself, not because Hester is different
from everybody else in the world, but because she is like. You took her
for what is typical in her, not for what is individual. You preferred to
walk toward her before your steps were impelled, because you feared that
impulsion would preclude rational choice. With the hope of out-tricking
nature, you reached for Hester Stebbins, in order that there might be a
wall between your heart's fancy and yourself, should your heart become
rebellious. I was to understand that this is the new school, that so
live the masters of matter and of self.
And as you spoke, I wondered about the woman Hester and the form of
love-making which existed between you, and whether she was simple and
without any charm despite her culture and her gift of song. "She either
loves him too well to know or to have the strength to care, or she is,
like him, of the new school," I thought. I sat and watched you, noting
your youth, surprised by the scorn in your eyes and the sadness on your
lips. You seemed hopeless and helpless. I closed my eyes. "What has he
left himself?" I kept asking. "How will he tread 'The paths gray heads
abhor?'" My own head bowed itself as before an irreparable loss. I had
rejoined the child of my care only to find him blasted as by grief, the
first sunshine smitten from his face and his heart weighted. One word,
one ray lighting your looks in a wonted way, one uncontrolled movement
of the hand, one little silence following the mention of her, would have
led me to believe that I had not understood and that all was well. The
night grew old with your plans and analyses. We parted with a sense of
shame upon us that we should have written and spoken so long and with
such heat, and to such little purpose.
You do not see how this answers your last letter. I will tell you. It
shows you that you have explained yourself fully the night we spoke face
to face.
You say that Hester is the woman to complement your man. This sounds
like a lover, only I happen to know that she is not the irresistible
woman. I found it out quite by accident--a few words dropped into a
letter, a corroboration of the fact and further committal, a protracted
defence of your position, running through a correspondence of over a
year, and, finally, a face-to-face declaration. What boots it now that
you write prettily? You do not love Hester. You want her to mother your
children, and you install her in your life for the purpose before the
need.
Public-domain text, read in full here on John Shaqi.
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