The Kentish CoastHarper, Charles G. (Charles George)
History
The Kentish Coast
Harper, Charles G. (Charles George)
Kent (England) -- Description and travel
That was the elaborate way in which excuses were made for
holiday-making in the ’60’s. Such were the methods of the English
in the days when crinolines were worn and chignons were considered
fashionable. Our fathers and mothers, it will quite readily be
perceived, were not yet emancipated from the workaday ideal that had
hitherto governed England: that grim, joyless, slogging spirit that
had made the nation great, but made it dour as well; and no one, you
know, felt really quite easy in conscience at taking holiday. To
revel in doing nothing was unknown. So some excuse, some way out of
a difficulty, had to be invented, and it generally was found in such
transparent pretexts as above. And yet Ramsgate sands were as crowded
then as now, and the “husbands’ boats” that plied from London were
full. Frith painted his celebrated picture of Ramsgate sands, showing
a merry throng, looking the “picture of health”; and so it is very
evident that a large number of people successfully adopted the holiday
for health’s sake deception.
“And now,” continues our guide, “the seaside towns get busy. Those
virtuous elderly spinsters who have lived the long winter months in
their deserted houses, solitary as spiders in their webs, wake up from
their torpidity and grow lively with the summer heat. They take from
the linen-closet the clean blinds for the bedroom windows, and the net
curtains for the ‘handsome drawing-rooms’ and ‘neat parlours’; the
faded chintz coverings are washed and ironed; and, buying a bottle of
furniture-polish, they make their poor arms ache with rubbing up the
dull tables and sideboards into a waxy lustre. The stationer sells off
his stock of embossed cards, engraved with ‘Apartments to Let,’ and the
spirited proprietors of libraries, bazaars, and assembly-rooms have
their pianos tuned, and make arrangements with musicians and singers
from London.”
Public-domain text, read in full here on John Shaqi.
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