These are the considerations, mostly facts—you may dispute some of them,
but not all I think—in the light of which I should endeavour to
illustrate the manifestation of Christ to His disciples after death. To
these facts I merely added the conjecture that possibly there may be
something besides the mere movement of our brains that produces these
images of the departed, something—I will not say external, for a spirit,
if independent of place, can be neither external to us nor internal—but
some act in the invisible world of spirits corresponding to every
apparition upon the visible world. But I did not pledge myself to such a
theory. I only insisted that the whole revelation of poetry and religion
through the Imagination has been of such inestimable importance to man
that we cannot put it all aside as false because imaginative; we must
regard it with reverence and be prepared to find that in the central
event of the purest religion of all, the Imagination has been made the
medium of the culminating revelation of spirit and truth. Indeed, if the
spiritual world is real and near, it is difficult to conceive how
God—without breaking the Laws of Nature and without unfitting us for
life in a world of sense—could better give us glimpses of an invisible
environment, than by causing it to press in, as it were, upon the
Imagination, so that the mind’s eye, thus stimulated by real
invisibilities, may, for the time, supplant the bodily faculty of sight,
and afterwards leave behind in us a permanent suggestion that, as there
is a material world corresponding to the bodily eye, so there is a
mind’s world corresponding to the mind’s eye. With this pre-conception I
will ask you to approach the narrative of Christ’s Resurrection as I
shall endeavour to set it forth in my next letter from the natural point
of view.
XXII
THE RESURRECTION
MY DEAR ——,
My last letter broke off rather abruptly with a promise to do my best to
set forth hereafter the Resurrection of Christ as it may be regarded
from a natural point of view.
Public-domain text, read in full here on John Shaqi.
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