"There is a small sailors' tavern near the mole," directed Rodman; "we
must take him there. I shall find a way to have him cared for on a
vessel going seaward. I have a yacht five miles away, but we can
hardly reach it in time."
"But medical attention!" demurred Monsieur Herve. "He must have that."
Rodman was goaded into impatience by the necessity for haste. He was
in no mood for debate.
"Yes, and a trained nurse!" he retorted, hotly. "We must do the best
we can. If we don't hurry, he will need an undertaker and a coroner.
Medical attention isn't very good in Puerto Frio prisons!"
The two men lifted Saxon between them, and carried the unconscious man
toward the mole.
Their task was like that of many others. They passed a sorry
procession of litters, stretchers, and bodies hanging limply in the
arms of bearers. No one paid the slightest attention to them, except
an occasional sentry who gazed on in stolid indifference.
At the tavern kept by the Chinaman, Juan, and frequented by the
roughest elements that drift against a coast such as this, Rodman
exchanged greetings with many acquaintances. There were several
wounded officers of the Vegas contingent, taking advantage of the
armistice to have their wounds dressed and discuss affairs over a
bottle of wine. Evidently, they had come here instead of to more
central and less squalid places, with the same idea that had driven
Rodman. They were the rats about to leave the sinking ship--if they
could find a way to leave.
The tavern was an adobe building with a corrugated-iron roof and a
large open _patio_, where a dismal fountain tinkled feebly, and one or
two frayed palms stood dusty and disconsolate in the tightly trodden
earth. About the walls were flamboyant portraits of saints. From a
small perch in one corner, a yellow and green parrot squawked
incessantly.
But it was the life about the rough tables of the area that gave the
picture its color and variety. Some had been pressed into service to
support the wounded. About others gathered men in tattered uniforms;
men with bandaged heads and arms in slings. Occasionally, one saw an
alien, a sailor whose clothes declared him to have no place in the
drama of the scene. These latter were usually bolstering up their
bravado with _aguardiente_ against the sense of impending uncertainty
that freighted the atmosphere.
The Frenchman, sharing with Rodman the burden of the unconscious
painter, instinctively halted as the place with its wavering shadows
and flickering lights met his gaze at the door. It was a picture of
color and dramatic intensity. He seemed to see these varied faces,
upon which sat defeat and suffering, sketched on a broad canvas, as
Marston or Saxon might have sketched them.
Public-domain text, read in full here on John Shaqi.
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