The King Country; or, Explorations in New Zealand: A Narrative of 600 Miles of Travel Through Maoriland.Kerry-Nicholls, J. H. (James Henry)
History
The King Country; or, Explorations in New Zealand: A Narrative of 600 Miles of Travel Through Maoriland.
Kerry-Nicholls, J. H. (James Henry)
New Zealand -- Description and travel
At this stage Te Kooti burst forth with a wild chant--a kind of song of
welcome, which was intended as a compliment to our visit. As Te Kooti
sang, his voice was singularly clear and mournful, and his intonation
very distinct, while every word, as it fell from his lips, appeared to
be uttered with the wild impulse of a fanatic. During this time his
followers, as they had in fact done all along, sat listening in mute
attention, as if anxious to hear the words of one whom they appeared to
look upon as a kind of deified man, or as one endowed with a charmed
life that had made him the hero of brave and extraordinary exploits,
which recalled to mind some of the most daring and bloody deeds of
Maori warfare, and as I listened to his wild refrain, and marked the
earnest yet animated expression of his features as he sang, I could
well realize the influence which such a man would exercise over the
superstitious minds of the Maoris, and yet when I recalled to mind his
remarkable career, his marvellous escape from the Chatham Islands with
his devoted band, his desperate and bloody raid upon the settlers of
Poverty Bay, and the series of daring achievements which rendered the
name of Te Kooti a terror and a menace during the war that followed, I
could not but help thinking that many of the Cæsars and Napoleons of
history must have been made of much the same stuff as this fanatical
Hauhau leader.
Our last night in the King Country was celebrated by a _haka_ in Te
Kooti's camp. Never had I seen anything so wild or so exciting. When
the moon was up we went to a secluded spot surrounded by forest, where
huge fires had been lit to assist the doubtful light of the Queen of
night. The spectators squatted about in a semicircle, the ex-rebel
chief taking up his position in the midst of his swarthy followers. At
a signal given about fifty men entered the arena and nearly as many
women. All were lightly clad; so lightly indeed that the costume of
our first parents had not been greatly encroached upon. At a signal
given from the leader the dancers formed themselves into ranks, and
the first step was made by striking the feet heavily upon the ground,
and, as the excitement produced by this movement gradually increased,
the limbs trembled from the feet upwards, until every muscle in the
body appeared to shake and twist, as if from the thrilling effects of
a galvanic current. Then they turned their bodies to the right with a
swinging jump, keeping the elbows close to the ribs and stretching out
the fore-part of the arm until the hands and fingers shook and trembled
as if strung together by wires. Then, they swung the body to the left
in the same attitude, and then, facing to the front, threw back their
heads, thrust out their tongues to the fullest extent in a menacing
way, and turned up their eyes until nothing but the whites could
be seen, and which, gleaming beneath the bright glow of the fires,
imparted to their distorted countenances a singularly ghastly look.
Public-domain text, read in full here on John Shaqi.
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